Tinker Bell was a professional dancer trained in ballet, tap and adagio dancing. Her first job in burlesque was as a chorus girl at the famous New York city club, Leon & Eddie’s. Tinker Bell stripping career really took off (pun intended) in Washington DC while she was performing at the Wayne Room in 1956. She quickly became a crowd favorite and shortly thereafter, she was touring the country. Tinker Bell is shown here modeling her costume for her Cleopatra act.

I’ve always been curious about the above photo when it appears online or in books: it’s clearly an entirely different outfit to the black sequinned one Dietrich wears onscreen in “Hot Voodoo.” Is this shot a “wardrobe test” of a potential costume that got rejected? In his book, Bach provides a clue: production of Blonde Venus was a long rancorous ordeal with Sternberg (and Dietrich) feuding with studio heads. (At one point Paramount threatened to sack Sternberg and replace him with another director). There were so many script re-shuffles that “major sequences (including the “Hot Voodoo” number) were completely recostumed and reshot.” So, the famous version of “Hot Voodoo” we’re all familiar with is actually the second reshot version. This pic above was presumably what Dietrich wore in the original scrapped number that was resigned to the cutting room floor. / source: graham-russell 

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