Lartigue Summer Autochromes

Jacques-Henri Lartigue :: Nana, Bibi, Hendaye, July 1927. Stereoscopic autochrome plate. From: Lartigue. Life in Color. | src internet archive
Jacques-Henri Lartigue :: Bibi and Germaine, Cannes, July 1927. Stereoscopic autochrome plate. From: Lartigue. Life in Color. | src internet archive
Jacques-Henri Lartigue :: Bibi in Île Saint-Honorat, Cannes, 1927. Stereoscopic autochrome plate. From: Lartigue. Life in Color. | src internet archive.

Learning to swim, 1934-1935

Reg Speller :: Swimming lesson for youngsters at Brighton, August 20th, 1934. (Fox Photos) | src Getty Images
Reg Speller :: Swimming Moves. Swimmers from the Rosemand school in Littlehampton practice their swimming technique on the beach, 22nd July 1935. (Fox Photos) | src Getty Images

The Niagara Falls, ca. 1855

Platt D. Babbitt :: [Niagara Falls], ca. 1855. Daguerreotype in leather case. | src MFAH · Museum of Fine Arts Houston
Platt D. Babbitt (American, active 1840s–70s) :: The Niagara Falls, ca. 1850. Daguerreotype | src The Met
Platt D. Babbitt (American, active 1840s–70s) :: The Niagara Falls, ca. 1850. Daguerreotype in leather case | src The Met
Platt D. Babbitt (American, 1823 – 1879) :: [Scene at Niagara Falls]; about 1855. Daguerreotype.

In the 1800s Prospect Point at Niagara Falls was a popular destination for travelers in search of a transcendent encounter with nature. The falls were revered as a sacred place that was recognized by the Catholic Church in 1861 as a “pilgrim shrine,” where the faithful could contemplate the landscape as an example of divine majesty.

Platt D. Babbitt would customarily set up his camera in an open-sided pavilion and photograph groups of tourists admiring the falls without their knowledge, as he appears to have done here. Later he would sell the unsuspecting subjects their daguerreotype likenesses alongside the natural wonder. | quoted from Getty Museum

Platt D. Babbitt :: [Scene at Niagara Falls], ca. 1855. Daguerreotype | src Getty Museum Collection

Two well-dressed couples are seen from behind as they stand on the shore downstream from the falls, gazing at its majestic splendor. The silhouetted forms–women wearing full skirts and bonnets and carrying umbrellas and men in stovepipe hats–are sharply outlined against the patch of shore and expansive, white foam. | quoted from Getty Museum

Platt D. Babbitt :: Photograph shows men in morning coats and top hats standing at the side of Niagara Falls [ca. 1854]
Platt D. Babbitt :: [Niagara Falls] [ca. 1854] whole-plate ambrotype on case | src Library of Congress
Photograph shows men in morning coats and top hats standing at the side of Niagara Falls.

Wendt’s warning, 1940s

Lionel Wendt :: [Danger. Jetty unsafe] Modernist Infinity Beach Landscape. Photogravure print. 1940s. | src vintageads on eBay

Niagara falls, ca. 1860

George Barker :: Hanging Rock, Niagara Falls, ca. 1860. Albumen silver print. | src MFAH ~ Museum of Fine Arts, Houston
George Barker :: Hanging Rock, Niagara Falls, ca. 1860. Albumen silver print. | src MFAH ~ Museum of Fine Arts, Houston
George Barker :: Niagara – Winter view; ca. 1860. Albumen silver print. | src MFAH ~ Museum of Fine Arts, Houston
George Barker :: Niagara – Winter view; ca. 1860. Albumen silver print. | src MFAH ~ Museum of Fine Arts, Houston
George Barker :: The rapids above Niagara Falls, ca. 1860. Albumen silver print. | src MFAH ~ Museum of Fine Arts, Houston

Rives du lac d’Annecy, vers 1920

Stéréoscopique photographie: Rives du lac d’Annecy, vers 1920. Plaque stéréoscopique. | src eBay

Gondola, Venice, ca. 1865

Carlo Ponti :: Piazzetta vue de la mer, Gondole Vénitienne, ca. 1865. Albumen silver print. | src Bidsquare ~ Seagrave Gallery ~ Spring Auction