«Rêve d’Égypte», Janvier 1907

Léopold-Émile Reutlinger :: Colette Willy / Sidonie-Gabrielle Colette dans la pantomine «Rêve d’Égypte» au Moulin Rouge en Janvier 1907. | src Album Reutlinger de portraits divers @ BnF

Sirenas del Aire, ca. 1935–36

Lola Álvarez-Bravo :: Sirenas del Aire, ca. 1935–36, printed ca. 1958. Álvarez-Bravo offers a pairing of the modern and the classical world using the surrealist approach of juxtaposing improbable objects. Two mermaids, their backs to the viewer, float on an empty picture. These mermaids (or sirens) have chosen a more modern vehicle to send their messages, a typewriter. | src Surrealism and Women Artists

Auf schwarzem Grund, 1956

Ulf Deutsch :: Dore Hoyer in dem Tanzzyklus ‘Auf schwarzem Grund’, 1956. | src MK&G ~ Museum für Kunst und Gewerbe (Hamburg)

Anita Berber, ca. 1918

Zander & Labisch, Anita Berber, 1918, Die Dame
Zander & Labisch :: Actress and dancer Anita Berber dancing. Published in ‘Die Dame’ 06-1918. | src and hi-res Getty Images
Anita Berber,   (*10.06.1899-10.11.1928+)  , Dancer, actress, Germany, dancing, - published in 'Dame' 06/1918  (Photo by ullstein bild via Getty Images)
German dancer and actress Anita Berber dancing, published in Die Dame 06/1918 (Photographed probably by Zander and Labisch; uncredited on source) | src Getty Images

“Eine Tänzerin voll Frische und voll lebendigen Glücks an ihrem Dasein”: Enthusiastisch pries ein Journalist des “Börsen-Kurier” 1917 das Talent Anita Berbers. Auch der Berliner Autor und Kritiker Oscar Bie war beeindruckt: “Das Stärkste wird in reiner Akrobatik erreicht, in groteskem Zittern, Verschlingen, Schlagen, Werfen, Überschneiden”, schrieb er über Berber.

“A dancer full of freshness and full of lively happiness in her existence”: a journalist from the “Börsen-Kurier” enthusiastically praised Anita Berber’s talent in 1917. The Berlin author and critic Oscar Bie was also impressed: “The strongest is achieved in pure acrobatics, in grotesque trembling, devouring, hitting, throwing, overlapping,” he wrote of Berber.

quoted from Der Spiegel: Anita Berber – die Hohepriesterin des Lasters

becker und maass anita berber postcard
Becker & Maass (Berlin) :: Tänzerin und Schauspielerin Anita Berber (1899-1928). Postkarte. | src Welt.de

Nude from behind, 1923

N. Vysheslavtsev :: Nude from behind, 1923. Ink on paper. Signed and dated: “To dear Aleksei Sidorov, N. N. Vysheslavtsev, 1923”. GTG: Gosudarstvennaia Tret’iakovskaia galereia, State Tretiakov Gallery (formerly in the collection of Aleksei Sidorov). | src Nicoletta Misler’s The Russian Art of Movement 1920-1930

Danza Khmer series (1996)

Isabel Muñoz :: Danza Khmer (series), 1996 | src Isabel Muñoz / album / danza Khmer
Isabel Muñoz :: Danza Khmer (series), 1996 | src Isabel Muñoz / album / danza Khmer
Isabel Muñoz :: Danza Khmer (series), 1996 | src Isabel Muñoz / album / danza Khmer
Isabel Muñoz :: Danza Khmer (series), 1996 | src Isabel Muñoz / album / danza Khmer
Isabel Muñoz :: Danza Khmer (series), 1996 | src Isabel Muñoz / album / danza Khmer

From Adam’s Fifth Rib, 1935

John Everard :: Nude, from “Adam’s Fifth Rib”. A Collection of Photographic Studies of the Nude by John Everard. Vandyke gravure, ca. 1935. | src liveauctioneers

Female nude, 1920

Atelier d’Ora ~ Benda :: Frauenakt – Rückenbild, 1920. Bromölumdruck (in Braun). | src MK&G ~ Museum für Kunst und Gewerbe (Hamburg)

Der schöne Rücken, 1934

Atelier d’Ora ~ Benda :: Der schöne Rücken | The Beautiful Back, 1934 | src MK&G ~ Museum für Kunst und Gewerbe (Hamburg)