Bertl Komauer, ca. 1924

«KA-FA» studio :: Bertl Komauer, Vienna, ca. 1924. Vintage silver print. Studio stamp and “Schule Bertl Komauer / Gymnastik Rhythmik Tanz / Wien” stamp on the reverse, annotated “Corelli”, handwritten in ink on the reverse. | src liveauctioneers

The Riesenrad through time

The Riesenrad after the II World War. Prater Park in ruins, Vienna, January 1946 (Photo by AFP) | src getty images
The Riesenrad after the II World War. Prater Park in ruins, Vienna, January 1946 (Photo by AFP) | src getty images
Yoichi Okamoto ~ Das Wiener Riesenrad, Wien, 1945 | Giant ferris wheel, Prater park, Leopoldstadt, Vienna, 1945 | src ÖNB ~ Österreichische Nationalbibliothek
The Big Wheel at Prater Funfair, Vienna, July 1967 (Photo © Hulton Archive) | src getty images
The famous Ferris wheel at the Prater, Vienna’s principal public park, circa 1955 | src getty images
The Wiener Riesenrad, Vienna, ca. 1935. The Riesenrad in the Prater amusement park in Leopoldstadt | src getty images
Wurstelprater amusement park, Vienna, 1920s. Wiener Prater park with ferris wheel | src getty images
Prater park. In the background the Riesenrad. Photography by M. Manenizza, Vienna, ca. 1900 [Auf dem Weg in den Wiener Wurstelprater, im Hintergrund das Riesenrad. Photographie von M. Manenizza; um 1900] | src getty images

Fashion photo by Madame d’Ora

Madame d’Ora :: Wiener Werkstätte (Vienna Workshop), 1921. Gelatin silver print
© Collection Christian Brandstätter, Vienna | src Tate Gallery

Heinrich Kühn :: Portrait of the Artist’s Son, Walter, ca. 1905 / source

Heinrich Kühn was one of the most influential amateur photographers in Vienna. Careful attention is paid to the repetition of circular shapes – Walter’s glasses, hat, coat buttons – that punctuate the broader expanses of dark or light earth-toned patches of colour. The tone in the photograph is the result of a complex printing process in which pigment was adhered to the surface of the paper through exposure to light. Courtesy Kicken Berlin Gallery and The Guardian.

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