
František Drtikol ::
Female nude with circle, 1920′s, printed 1990′s?. Gelatin silver print.
/ source
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images that haunt us

André Kertész :: Calder with Eucalyptus, 1940. (Image © Ministère de la Culture / Médiathèque de Patrimoine, Dist. RMN-Grand Palais)
“He didn’t see an eucalyptus tree and those long beautiful leaves and think, ‘I want to interpret that in a sculpture.’ He made a sculpture, and he looked at it, and he saw that it looked kind of like eucalyptus leaves” – Sandy Rower
Although often evocative, Calder’s titles are not guides for interpretation. The artist named his abstract sculptures after they were created simply as a means to identify or differentiate. “I give names to the things I’m working on just like license plates,” Calder once said. © 2017 Calder Foundation, New York / Artists Rights Society [ARS], New York)
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Len Prince ::
Untitled, plate 34, NYC, 2004, from the series “Self-possessed”. Model: Jessie Mann / src: danziger-gallery
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Constant Emile Puyo :: Women in Veils, ca.1899. Heliogravure. / src: vintageWorks
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Max Dupain ::
Nude with Pole 1930′s / src: State Library of New South Wales
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