
David Salle :: Untitled, 1984 / src gacougnol / via les-sources-du-nil
images that haunt us

David Salle :: Untitled, 1984 / src gacougnol / via les-sources-du-nil

Ralph Eugene Meatyard :: Untitled, ca. 1965. Gelatin silver print.
In his figurative scene, Meatyard applied the same techniques he used
in his abstract work. Formal means – reflected and indirect as well as
direct light, blurring, composition, texture, shift of focal plane and
multiple exposure – joins figures and props to become carriers of
narrative and symbolic content. Ambiguity and paradox, which are Zen
teaching tools used to free the mind from logic on the path to
enlightenment, were among Meatyard’s favorite devices.
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Eikoh Hosoe
:: Barakei # 32
(Killed by Roses), a wild yet poetic portrait of Japanese writer Yukio Mishima, 1961 (printed 2006)
/ src: / source: akron art museum
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Marlene Dietrich as Marie Kolverer (X 27) in Dishonored, directed by Josef von Sternberg (1931)
/ src and hi-res: dr. Macro
more [+] Marlene Dietrich posts

Barbara Morgan :: Martha Graham in Lamentation, 1935 [source: museum of contemporary photography]
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more [+] Martha Graham
posts