
Mark Sink and Kristen Hatgi :: Kess and Wall, Hotel Chelsea, 2009.
images that haunt us

Mark Sink and Kristen Hatgi :: Kess and Wall, Hotel Chelsea, 2009.

J. Willett
:: Florence French, 1922. Published in the magazine Shadowland (Sept. 1922 issue) / source: Film Maker Magazine
The caption reads: ‘This charming interpretative dancer is returning to the stage, after an absence of several years, in a new musical show called “Oh, What’s the Use”.’

Yoshiko Tsubouchi in “Shima no Musume” (The Island Girl) directed by Nomura Hotei, Shōchiku prod., 1933 (src: early Japanese cinema)

Stanley Fung :: The Virgin Mary / via
gacougnol



Horst P. Horst :: ‘Bunny Hartley’, Vogue, 1938 / src: amici della fotografia
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Portrait of Lili Damita in The Woman Between directed by Victor Schertzinger, 1931
/ src: the red list
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Lo Hesse was active in Munich and Berlin between 1916 and 1920. Her dances relied heavily on extravagantly exotic costumes designed mostly by the German expressionist artist Walter Schnackenberg. | src Flickr