Nicola Perscheid :: Fräulein Änne Jungmann in den Lupinen, um 1900. Pinatypie. The Pinatype is a dye transfer imbibition process. The colored picture is obtained by superimposing three gelatin films which have been exposed under negatives taken behind color-screens and dyed with corresponding colors. | src MK&G
Kati Horna :: Untitled (Leonora Carrington), from Oda a la Necrofilia (Ode to Necrophilia), 1962. | src Princeton University Art MuseumKati Horna ::Untitled (Leonora Carrington), from Oda a la Necrofilia (Ode to Necrophilia), 1962. | src Princeton University Art Museum
Rudolf Krziwanek :: Rollenporträt. Anne Branché als “Bet-ti-bo” in Der Mikado oder Ein Tag in Titipu, um 1890. Rudolf Krziwanek :: Role portrait. Anne Branché as “Bet-ti-bo” in The Mikado or A Day in Titipu, ca. 1890. src Theatermuseum Wien
Yoshio Markino :: Autumn. From: Posters; a critical study of the development of poster design in continental Europe, England and America by Charles Matlack Price (1913) New York: G.W. Bricka. | src Smithsonian Libraries @ internet archive
Atelier d’Ora :: Ruth Bayton, Revuetänzerin von Folies Wagram im der Revue: ‘Der Zug nach dem Westen’ erschienen Uhu Magazin 10/1927. | Ruth Bayton, revue dancer from Follies Wagram in the revue: ‘The train to the west’ published in Uhu magazine 10/1927. | src and hi-res Getty Images
Martin Munkácsi :: Actress Erika Fiedler sits with actress and dancer Marianne Winkelstern (R) on a rock by the water on the banks of the Eibsee. Published in Die Dame 22/1934. | src and hi-res Getty Images
Oriol Maspons :: Fotografia publicitària (moda), cap a 1960. Gelatinobromur de plata sobre paper baritat. | src and hi-res MNAC ~ Museu Nacional d’Art de Catalunya