Es leuchten die Sterne, 1938

Atelier Schneider :: La Jana. German postcard by Ross Verlag, nº A 1910/2, 1937-1938. Tobis. Publicity still for Es leuchten die Sterne -The Stars Shine (Hans H. Zerlett, 1938). | src Flickr

La Jana in Stern von Rio, 1940

La Jana as Concha in Stern von Rio / Star of Rio (Karl Anton, 1940). German postcard by Ross Verlag, nº A 2504/1, 1939-1940. Photo: Tobis. | src Truus, Bob & Jan on Flickr

‘Die JosefsLegende’, 1922

Franz Xaver Setzer :: ‘Die Josefslegende’ by Richard Strauss. Dancers of the Vienna State Opera. Standing f.l.t.r.: Riki Raab; Anna Horvath and Hilde Steinlein. Front f.l.t.r.: Maria Mindszenty; Tilly Losch and Hedy Pfundmayr. Vienna, 1922. (Archiv Setzer-Tschiedel) | src and hi-res Getty Images

Lilian Looring by J & P Parikas

J & P Parikas ~ Dancer and dance teacher Lilian Looring (1899-1963), 1936 | src Eesti Teatri- ja Muusikamuuseum ~ ETMM
J. & P. Parikas ~ Dancer and dance teacher Lilian Looring (1899-1963) (portree), 1936 | src ETMM

Dancer Thea von Ujj , ca. 1925

Max Pollak :: Thea von Ujj , ca. 1925. Color aquatint with etching. |src Annex Gallery
«While in Vienna Max Pollak became involved in the avant-garde dance scene. He did a series of intaglio portraits of dancers, usually costumed and posed, from one of their noted performances. He is sometimes credited with being ‘the first etcher to turn his attention to the dance as a subject‘.»

Kyra at the Winter Garden, 1921

James Abbe ~ Kyra (Alanova). Shadowland magazine, October 1921 | src internet archive

Caption reads : Kyra / The exotic dancer in this season lending a touch of Oriental color to the Winter Garden revue

James Abbe ~ Kyra (Alanova). Shadowland magazine, October 1921 | src internet archive

Alanova, also known as Kyra Alanova and Alice Allan (Seattle, 26 July 1902 – Venice, 21 December 1965 ), was an American dancer, choreographer and actress. Born in the USA to a Russian father who emigrated at the beginning of 1900, she was then the stepdaughter of the choreographer and dancer Adolf Bolm, an important collaborator of Sergei Diaghilev Ballets Russes. She followed her stepfather’s footsteps, from 1918 to 1924 she danced with Diaghilev’s company on the stages of London, Paris and Rome, from 1922 she was engaged as an actress in various Broadway and London productions, under the name of Kyra Alanova.

Active on the Paris theater scene in the 1930s, she was portrayed by Kees van Dongen in several paintings (“Portrait of Miss Alanova”, “Jeune fille aux pieds nus”), in a period when the two were probably lovers.

At the end of the 1930s she arrived in Italy for a tour of the most important theaters and met Count Andrea Di Robilant, screenwriter and director, the two married shortly after and Alanova remained for a few years working in Italy, dividing her time between family and work (mainly in Italian films).

At the end of the war, Alanova resumed her activity as a choreographer, founding her own dance company: the Ballet Russe Alanova or Ballets Alanova (of which Enrico Prampolini would be artistic director and with whom Leonor Fini would collaborate as set and costume designer) with which she toured America and Europe until 1946.

text adapted from the Italian Wikipedia entry for Alanova

James Abbe :: Kyra Alanova at the Winter Garden, wearing a costume with a satin crop top and matching fitted shorts, with the top attached to long, flowing curtains, walking barefoot across a tiled floor, Vanity Fair, 1921. | src Getty Images