![Karl Struss (1886-1981); Natacha Rambova [production still]; Gelatin silver print; Amon Carter Museum of American Art, Fort Worth, TX](https://unregardobliquehome.files.wordpress.com/2022/06/karl-struss-1886-1981-natacha-rambova-1920s-src-amon-carter-museum-portrait-6.jpg)
![Karl Struss (1886-1981); Natacha Rambova [production still]; Gelatin silver print; Amon Carter Museum of American Art, Fort Worth, TX](https://unregardobliquehome.files.wordpress.com/2022/06/karl-struss-1886-1981-natacha-rambova-1920s-src-amon-carter-museum-portrait-full-length-2.jpg)
![Karl Struss (1886-1981); Natacha Rambova [production still]; Gelatin silver print; Amon Carter Museum of American Art, Fort Worth, TX](https://unregardobliquehome.files.wordpress.com/2022/06/karl-struss-1886-1981-natacha-rambova-1920s-src-amon-carter-museum-portrait-full-length-1.jpg)
![Karl Struss (1886-1981); Natacha Rambova [production still]; Gelatin silver print; Amon Carter Museum of American Art, Fort Worth, TX](https://unregardobliquehome.files.wordpress.com/2022/06/karl-struss-1886-1981-natacha-rambova-1920s-src-amon-carter-museum-portrait-5.jpg)
[*] production stills probably from the film Forbidden Fruit (Cecil B. DeMille, 1921). In the film Rambova (b. Winifred Shaughnessy), along with Mitchell Leisen, was the costume designer and Struss the cinematographer.
[*] production stills probably from the film Forbidden Fruit (Cecil B. DeMille, 1921). In the film Rambova (b. Winifred Shaughnessy), along with Mitchell Leisen, was the costume designer and Struss the cinematographer.
Als Teenager: Anita Berber 1917 mit der neuesten Hut-Kreation.
Hutmodell und Stilikone: Neben der Arbeit als Tänzerin verdiente Berber Geld als Foto-Model, unter anderem für Hüte und Kleider. Mit zunehmender Popularität avancierte Berber zur Stilikone, der ganz Berlin nachzueifern versuchte: “Verderbte Bürgermädchen kopierten die Berber, jede bessere Kokotte wollte möglichst genau wie sie aussehen”, schrieb Schriftsteller Klaus Mann.
As a teenager: Anita Berber in 1917 with the latest hat creation.
Hat model and style icon: In addition to working as a dancer, Berber earned money as a fashion model, among other things for hats and dresses. With increasing popularity, Berber became a style icon that all of Berlin tried to emulate: “Depraved middle-class girls copied the Berber, every cocotte wanted to look like her as closely as possible,” wrote writer Klaus Mann.
quoted from Der Spiegel: Anita Berber – die Hohepriesterin des Lasters