Alexander Khlebnikov ~ Ballerina, 1930s. The art of movement. Ballerina Nadezhdina | src Museu.MartAlexander Khlebnikov ~ Ballerina, 1930s. The art of movement. | src Museu MartAlexander Khlebnikov ~ Ballerina, 1930s. The art of movement. | src Museum of the Russian Photography (link)
Kasyan Yaroslavich Goleizovsky’s avant-garde choreography of Prokofiev’s Visions fugitives, Nºs 10-11 (Ridicolosamente, Con vivacità) for his own company, the Moscow Chamber Ballet, in 1922. The configuration of the bodies is architectonic, like so much art of the time, and acrobatic. The avant-garde costume design was adapted to the new dispositions of the body. | src The Russian Art of Movement review
A moment from the dance Marche Fúnebre (Moscow, 1921), choreographed by Kasjan Goleizovsky, music by Nikolai Medtner, photograph by Daniil Demutsky. Depicted: K. Kuznetsova, Tat’iana Miroslavskaia, and L. Gai. From: Nicoletta Misler: The Russian Art of Movement 1920-1930, page 211. | src Karl Toepfer
S. Rybin :: A young woman jumps, leaps, takes to the air (She indeed flies free). We do not know her name, only that she flies in the free dance studio of Vera Maya in Moscow, perhaps in 1927. Courtesy A.A. Bakhrushin State Central Theatre Museum, Moscow. | src Space Embodied – Het Nieuwe Instituut (the Russian Art of Movement 1920-1930)
Andrei Teleshev :: Acrobatic pose. Artist’s photographic print, mounted oval photograph. AT [Andrei Teleshev repository. Collection of the Teleshev family, Moscow]. | src Nicoletta Misler’s The Russian Art of Movement 1920-1930