Photographer unknown. Three studies for the ‘Role of Gesture in a Defined Pose’. One of the assigned research themes at the Choreological Laboratory for 1924-26. | src Nicoletta Misler’s The Russian Art of MovementPhotographer unknown. Three studies for the ‘Role of Gesture in a Defined Pose’. One of the assigned research themes at the Choreological Laboratory for 1924-26. | src Nicoletta Misler’s The Russian Art of MovementPhotographer unknown. Three studies for the ‘Role of Gesture in a Defined Pose’. One of the assigned research themes at the Choreological Laboratory for 1924-26. | src Nicoletta Misler’s The Russian Art of Movement
Tänzerin, Tanzpaedagogin und Choreografin Mary Wigman (Eigentlich Marie Wiegmann) im “Tanz für die Sonne” aus der Tanzdichtung ‘Opfer’, 1932 (Photo: Ullstein Bild). | src and hi-res Getty Images
Tänzerin, Tanzpaedagogin und Choreografin Mary Wigman (Eigentlich Marie Wiegmann). Ganzkoerperaufnahme, beim Tanzen (Sommerlicher Tanz), 1930s (Photo: Ullstein Bild, probably by Charlotte Rudolph). | src and hi-res Getty Images
Atelier Jacob Merkelbach :: German dancer and expressionist dance pioneer Mary Wigman, 1920s. | src Het Stadsarchief Amsterdam BeeldbankAtelier Jacob Merkelbach :: German dancer and expressionist dance pioneer Mary Wigman, 1920s. | src Het Stadsarchief Amsterdam BeeldbankAtelier Jacob Merkelbach :: German dancer, dance teacher and choreographer, pioneer of expressionist dance | src Het StadsarchiefJacob Merkelbach :: Portret danseres Mary Wigman, buste. Mary Wigman (titel op object), 1920-1930. | src RijksmuseumJacob Merkelbach :: Portret danseres Mary Wigman, buste. Mary Wigman (titel op object), 1920-1930. | src Rijksmuseum
Charlotte Rudolph :: Raumgestalt. «Die neue Wigman-Schule im Berlin». Die Bühne 1929, Heft 226, Seite 38. | src ÖNBCharlotte Rudolph :: Mary Wigman in Raumgestalt. Scherl’s Magazin Band 6, H.1, Januar 1930