Albertina Rasch Dancers in costume for Rio Rita (1927). Photographed by Alfred Cheney Johnson.The Albertina Rasch Girls, sixteen ballet dancers, wearing Mexican-style costumes, in the production of Rio Rita, at The New Ziegfeld Theater. Published in Vanity Fair, April 1927 (Photo by Florence Vandamm / Condé Nast / Getty Images)The Albertina Rasch Girls, sixteen ballet dancers, wearing Mexican-style costumes, in the production of Rio Rita, at The New Ziegfeld Theater. Published in Vanity Fair, April 1927 (Photo by Florence Vandamm / Condé Nast / Getty Images)The Albertina Rasch Girls, sixteen ballet dancers, standing on point, wearing white ballet costumes, for the production of Rio Rita, at The New Ziegfeld Theater. Published in Vanity Fair, April 1927 (Photo by Florence Vandamm / Condé Nast / Getty Images)The Albertina Rasch Girls, sixteen ballet dancers, standing on point, wearing white ballet costumes, for the production of Rio Rita, at The New Ziegfeld Theater. Published in Vanity Fair, April 1927 (Photo by Florence Vandamm / Condé Nast / Getty Images)The Albertina Rasch Girls, sixteen ballet dancers, standing on point, wearing white ballet costumes, for the production of Rio Rita, at The New Ziegfeld Theater. Published in Vanity Fair, April 1927 (Photo by Florence Vandamm / Condé Nast / Getty Images)
Foto di scena tratta da “Oggi è domenica dove si va?”, Compagnia Fineschi, Roma 1935. In verso nota ms. “Compagnia Fineschi – aprile 1935” | src Mart ~ Fondo Giannina CensiGiannina Censi in costume di scena dello spettacolo “Oggi è domenica dove si va?”, Compagnia Fineschi, Roma 1935 di Fot. Macari. Napoli – Roma, 1935 | src Mart ~ Fondo Giannina Censi
Pubblicata in Vaccarino E., (a cura di) Giannina Censi: danzare il futurismo. Milano: Electa; Museo di arte moderna e contemporanea di Trento e Rovereto, 1998, pp. 59 e 60.
Nina Payne (holding a mask) in costume for the Nelson revue “Confetti”, by Studio Manassé (1910s) | src liveinternet.ruNina Payne In costume for the Nelson revue “Confetti”, by Hill, ca. 1916 | src HZGDancer Nina Payne with a dance mask in the Nelson revue “Confetti”, Nelson Theater Berlin, 1925. Photo: Atelier Binder 1925 (Photo by Atelier Binder) | src Getty ImagesTänzerin Nina Payne (USA) in einer interessanten Tanzmaske in der Nelson-Revue “Confetti”, Nelson Theater Berlinerschienen Nr. 42/1925. Foto: Atelier Binder | src Getty Images
Atelier Manassé :: Flexible like a blade made of precious steel (Die Tänzerin Rea Egerváry). Scherl’s Magazin, Band 5, Heft 12, Dezember 1929Atelier Manassé :: Biegsam wie eine Klinge aus edlem Stahl (Die Tänzerin Rea Egerváry). Scherl’s Magazin, Band 5, Heft 12, Dezember 1929 [full page]
Alfred Eisenstaedt :: Costumed dancers at Truempy Dance School looking at themselves in studio mirror, Berlin, 1930, for Life Magazine. | src Google Arts & CultureAlfred Eisenstaedt :: Dancers at Truempy Dance School, Berlin, 1930-1931. | src Google Arts & CultureAlfred Eisenstaedt :: First lesson at Truempy dance school, Berlin, 1930, printed in 1995. | src Sotheby’s