Mary Wigman (born Marie Wiegmann) with her company in Albert Talhoff’s dance piece ‘Totenmahl’ (Funeral Feast) in Munich, 1930. Photo by Ullstein Bild | src Getty Images
Tänzerin, Tanzpaedagogin und Choreografin Mary Wigman (Eigentlich Marie Wiegmann). Ganzkoerperaufnahme, in einer Tanzszene, 1936. | Dancer, dance teacher ad choreographer Mary Wigman (b. Marie Wiegmann). Full body shot, in a dance scene [scene maybe Pastorale from Shifting Landscape, 1929], 1936. | src and hi-res Getty Images
Charlotte Rudolph ~ Mary Wigman. Distinguished European danseuse at Chanin Theater, 28.12.1931(?) | src getty imagesCharlotte Rudolph ~ Tänzerin, Tanzpaedagogin und Choreografin Mary Wigman in dem Tanz ‘Visionen’, 1928 | src getty imagesCharlotte Rudolph ~ Mary Wigman, in dem Tanz ‘Visionen’, 1928 | scanned by ourpastdreams
Scanned from: Paroles de corps (la chorégraphie au XXe siècle) Thierry Villa, Ed. du Chêne, 1998
Tänzerin, Tanzpaedagogin und Choreografin Mary Wigman (b. Marie Wiegmann). Ganzkoerperaufnahme (full body shot), im “Hexentanz” (Witch dance), 1934. Ullstein Bild. | src Getty ImagesCharlotte Rudolph :: Die Tänzerin und Choreographin Mary Wigman in ‘Schicksalslied’ aus Tanzgesänge, undatiert | src Deutsche Fotothek
Arnold Genthe :: The Dance: Allegro. Dancer Hilda Beyer. From a negative taken June 27, 1913. Lantern slide. Title from a similar image in: As I remember. Arnold Genthe. New York: Reynal & Hitchcock, 1936, p. 203.| src Library of Congress