Photographer unknown, Stationary pose on the elbows, late 1920s. Manual for a course in artistic acrobatics. Art of Movement State Courses (of Valeriia Tsvetaeva). VTs V. Tsvetaeva, Stationary pose on elbows, late 1920s. Art of Movement State Courses (of Valeriia Tsvetaeva) for the Department of Circus and Variety Theatre at MGTT. Pencil on paper, initialled: “V. Ts.” src Nicoletta Misler’s The Russian Art of Movement 1920-1930
Photographer unknown, acrobatic poses outdoors from a course manual in artistic acrobatics, late 1920s. Art of Movement State Courses (of Valeriia Tsvetaeva). VTs (Valeriia Tsvetaeva repository. Now in the collection of Evgenii Chernov, Moscow) | src Nicoletta Misler’s The Russian Art of Movement 1920-1930Photographer unknown, acrobatic poses outdoors from a course manual in artistic acrobatics, late 1920s. Art of Movement State Courses (of Valeriia Tsvetaeva). VTs (Valeriia Tsvetaeva repository. Now in the collection of Evgenii Chernov, Moscow) | src Nicoletta Misler’s The Russian Art of Movement 1920-1930Photographer unknown, acrobatic poses outdoors from a course manual in artistic acrobatics, late 1920s. Art of Movement State Courses (of Valeriia Tsvetaeva). VTs (Valeriia Tsvetaeva repository. Now in the collection of Evgenii Chernov, Moscow) | src Nicoletta Misler’s The Russian Art of Movement 1920-1930Photographer unknown, acrobatic poses outdoors from a course manual in artistic acrobatics, late 1920s. Art of Movement State Courses (of Valeriia Tsvetaeva). VTs (Valeriia Tsvetaeva repository. Now in the collection of Evgenii Chernov, Moscow) | src Nicoletta Misler’s The Russian Art of Movement 1920-1930
Trude Fleischmann :: Mila Cirul and Julian Algo: Dance poses, 1926. Catalogue of the fourth “Art of Movement” exhibition, 1928, within Nos. 534-35. PKh (Collection of Pavel Khoroshilov, Moscow). | src Nicoletta Misler’s The Russian Art of Movement 1920-1930
Franz Xaver Setzer :: Toni Birkmeyer als “Prinz Karneval” Phot. Setzer, Wien. “Schöne Kostüme”. Das Leben, Heft 9, März 1927. | src Universitätsbibliothek Heidelberg
Junon et Pallas. Danseuses Yvonne Franck (à gauche, Pallas) et Yvonne Daunt (à droite, Junon), dans “Ascanio” à l’Opéra de Paris. Chorégraphie de Léo Staats. Novembre 1921. Négatif sur verre. | src Agence photographique RolJunon et Pallas. Danseuses Yvonne Franck (à gauche, Pallas) et Yvonne Daunt (à droite, Junon), dans “Ascanio” à l’Opéra de Paris. Chorégraphie de Léo Staats. Novembre 1921. Négatif sur verre. [Full image] | src Agence photographique Rol
Hedy Nils (Hedy Pfundmayr) und Toni Birkmeyer tanzen am 22.09.1920 – Konzerthaussaal Wien. Entwurf Ernst Dryden (Deutsch-Dryden), Österreich 1920. | src Plakate 1880-2000
Otton Engel’s :: Pierrot, 1925. Crayons on paper. Signed and dated: “Engel’s 1925”. Catalogue of the first “Art of Movement” exhibition, 1925, Nos. 208-09. OE (Otton Engel’s repository, Moscow. Formerly in the collection of Irina Malakhova.) | src Nicoletta Misler’s The Russian Art of Movement 1920-1930
Otton Engel’s :: A. Rumnev in one of L. Lukin’s choreographies, 1923. Pencil on paper. Inscribed and dated: “Chamber Theatre, Thursday, 7.30, 12/VI/1923”. Catalogue of the first “Art of Movement” exhibition, 1925, Nº 197. OE (Otton Engel’s repository, Moscow. Formerly in the collection of Irina Malakhova.) | src Nicoletta Misler’s The Russian Art of Movement 1920-1930
Hess Studio, Frankfurt :: A. Rumnev. Plastic study, 1923. Original print. Signed and dated on mount: “Hess, Frankfurt 1923”. Choreography by L. Lukin. Tournée of the Moscow Chamber Theatre, 1923. The reverse of an analogous print in the Lukin archive at GTsTMB carries the inscription: “To dear Lev Lukin with faith in his inimitable talent, 1923, A. Rumnev”. RGALI [Rossiiskii gosudarstvennyi arkhiv literatury i iskusstva (Russian State Archive of Literature and Art, Moscow)] source Nicoletta Misler’s The Russian Art of Movement 1920-1930