
Angus McBean
:: Leslie Henson, vintage bromide print, 1938.
images that haunt us

Anton Stankowski :: Foto-Auge (Photo-Eye), 1927. Photomontage. Gelatin silver print. | src Cleveland Museum of Art: John L. Severance Fund.

Robert Disraeli :: Industrialization, ca. 1935 / src: The Guardian
Robert Disraeli, who is best known as a documentary photographer, created a small group of contrived images inspired by Surrealism. Here, industry is introduced as a meat grinder (appropriately, an “Enterprise” brand device) that spits out a stream of automobiles at the cost of the human body. All that remains to be consumed is a hand, fingers spread in a gesture of frightened but futile resistance. The stark shadow of the hand cast on the wall behind recalls cinematic murder scenes. [quoted from source]

Kansuke Yamamoto :: from “Suddenly in the Morning”, 1968. A war occurs suddenly before people who hate killings know
it.
/ src: the-photo-story
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Whitney Lewis-Smith :: Death of The Moth, 2014. From ‘A Garden Of Natural Fascinations’ series.
Large format glass plate photography / via
les-sources-du-nil / original src: Whitney Lewis-Smith
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Whitney Lewis-Smith ::
Monster, 2014. From ‘A Garden of Natural Fascinations’ series. Large format glass plate photography / via les-sources-du-nil / original src: Whitney Lewis-Smith

Grete Stern :: Sueño No. 35 / Dream No. 35, 1949 / source: Nayla Alexander
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Angelica Paez :: Pearl, collage with magazine cutouts, 2014
/ source: Angelica Paez Surreal Collages
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