Study of tulips, ca. 1910

Hugh C. Knowles :: Study of tulips, ca. 1910. Autochrome. [original hi-res] | src V&A Museum — **Hugh C. Knowles ::** Study of tulips, ca. 1910. Autochrome. [original hi-res] | src V&A Museum

Femme sur peau de panthère

In Ectasy (before 1912)

**Adolf Hirémy-Hirschl ::** In Ekstase (Studie zu “Sic Transit”). In Ecstasy (Study on ‘Sic Transit’). Charcoal and white chalk on blue-gray laid paper. Preliminary study for the monumental polyptichon “Sic Transit” (1912) in the Galleria Nazionale d’Arte Moderna in Rome. The drawing prepares the ghostly female figure that can be seen in the left panel in the right background. – Provenance: From the artist’s estate (stamp on verso). Galleria Carlo Virgilio, Rome (stamp on verso). | src invaluable and Bassenge

Decorative Study: Pomegranates

Minna Keene (née Bergmann, Canadian born Germany, 1861-1943) :: Pomegranates, ca. 1910. Carbon print with some details reduced by hand. | src Stephen Bulger Gallery

**Minna Keene** (née Bergmann, Canadian born Germany, 1861-1943) :: Pomegranates (aka Decorative Study), ca. 1910. Green carbon print by Minna Keene. | src The Royal Photographic Society Collection, Victoria and Albert Museum, London via Getty Images

The subject of this photograph is believed to be of Violet Keene, Minna Keene’s daughter, according to Getty Images.

**Minna Keene** (née Bergmann, Canadian born Germany, 1861-1943) :: Decorative Study nº 1. Pomegranates, Cape Town, South Africa, ca. 1906. Carbon print, mounted on exhibition board. Original photograph. | src Bonhams

A fine example of a signed exhibition-quality image of one of Minna Keene’s most famous of images, taken at her home in Cape Town. Using her young daughter Violet as the model, she created an iconic Pre-Raphaelite image, combining the beauty of a young girl with nature. This image was included in the famous Tate London Exhibition in 2016, Painting with Light alongside Julia Margaret Cameron, Millais, Emerson, Goodall, Hacker, Rossetti, and others. In 1911, “Pomegranates” was awarded Picture of the Year at the London Photographic Salon. [quoted from source]