Still Life by Dellenbaugh ca 1910

Frederick S. Dellenbaugh (1853 - 1935) :: Still Life with Ornate Chinese Vase, about 1910. Autochrome. | src The J. Paul Getty Museum
Frederick S. Dellenbaugh (1853 – 1935) :: Still Life with Ornate Chinese Vase, about 1910. Autochrome. | src The J. Paul Getty Museum
Frederick S. Dellenbaugh (American, 1853 - 1935) :: Still Life with Ornate Chinese Vase, about 1910, Autochrome. | src Getty Images
Frederick S. Dellenbaugh (American, 1853 – 1935) :: Still Life with Ornate Chinese Vase, about 1910, Autochrome. | src Getty Images

Decorative studies by Seymour

Edward Seymour :: A Decorative Study, ca. 1905. Die Kunst in der Photographie 1905
Edward Seymour :: A Decorative Study, ca. 1905. Die Kunst in der Photographie 1905
Edward Seymour :: A Decorative Study, ca. 1905. Die Kunst in der Photographie 1905
Edward Seymour :: A Decorative Study, ca. 1905. Die Kunst in der Photographie 1905
Edward Seymour :: A Decorative Study, ca. 1905. Die Kunst in der Photographie 1905
Edward Seymour :: A Decorative Study, ca. 1905. Die Kunst in der Photographie 1905
Edward Seymour :: A Decorative Study, ca. 1905. Die Kunst in der Photographie 1905
Edward Seymour :: A Decorative Study, ca. 1905. Die Kunst in der Photographie 1905

A Declaration of Love

dandelion
Stella Gommans :: Field of Dreams. From : “A Declation of Love. Flowers in Dutch Light” | src Gommans
Stella Gommans :: Field of Dreams. From : “A Declation of Love. Flowers in Dutch Light” | src Gommans

This series celebrates flowers – capturing their different phases and the variety of shapes and colours – each telling their own story. In beautiful detail it depicts how the light emphasises the elegance of the stem, or how it catches the leaf, or how it allows us to catch a glimpse of the brittle petals and the burst of colours when in full bloom. The viewer is invited to look closer and sometimes even take a step back, because in that instant – hidden aspects emerge – like a choreography, a fabulous dance.

‘A Declaration of Love, flowers in Dutch light’ is a series that symbolises life.

Flowers naturally bloom in all their strength, vulnerability and beauty – with elegance and grace – poetically captured in that single moment in time, never to be repeated again.

It is a serenade to life and love! [quoted from Stella Gommans website]

Stella Gommans :: Magic in Process. From : “Flowers in Dutch Light”
Stella Gommans :: Magic in Process. From : “Flowers in Dutch Light” at Elliott Gallery
Stella Gommans :: A Fresh Start. From : “Flowers in Dutch Light” at Elliott Gallery
Stella Gommans :: You Are Awesome. From : “Flowers in Dutch Light” at Elliott Gallery
Stella Gommans :: Take Your Time. From : “Flowers in Dutch Light” at Elliott Gallery
Stella Gommans :: Kind of Classy. From : “Flowers in Dutch Light” at Elliott Gallery
Stella Gommans :: Head up Gorgeous. From : “Flowers in Dutch Light” at Elliott Gallery

All images: Archival Pigment Prints on Hahnemuhle Fine Art Paper

Vaas met rozen (Autochrome)

Vaas met rozen, anonymous, ca. 1907 - ca. 1935. Autochrome (Glass 9x12 cm). | src Rijksmuseum | Detail
Vaas met rozen, anonymous, ca. 1907 – ca. 1935. Autochrome (Glass 9×12 cm). | src Rijksmuseum | Detail
Vase with roses, anonymous, ca. 1907 - ca. 1935. Autochrome (Glass 9x12 cm). | src Rijksmuseum
Vase with roses, anonymous, ca. 1907 – ca. 1935. Autochrome (Glass 9×12 cm). | src Rijksmuseum
Vase with roses, anonymous, ca. 1907 - ca. 1935. Autochrome (Glass 9x12 cm). | src Rijksmuseum
Vase with roses, anonymous, ca. 1907 – ca. 1935. Autochrome (Glass 9×12 cm). | src Rijksmuseum

Primrose · Russian Autochromes

Piotr I. Vedenisov (1866-1937) :: Flowers in a vase, 1910s. Autochrome. From: Primrose • Russian Colour Photography. | src MAMM
Piotr I. Vedenisov (1866-1937) :: Flowers in a vase, 1910s. Autochrome. From: Primrose • Russian Colour Photography. | src MAMM
Piotr Ivanovich Vedenisov (1866-1937) :: Vera Nikolaevna Vedenisova, ca. 1910. Autochrome.
Piotr Ivanovich Vedenisov (1866-1937) :: Portrait of Vera Nikolaevna Vedenisova, ca. 1910. Autochrome.
Piotr Ivanovich Vedenisov (1866-1937) :: Vera Nikolaevna Vedenisova in oriental folk dress, 1909-1914. Autochrome. | src FOAM and NKFU
Piotr Ivanovich Vedenisov (1866-1937) :: Vera Nikolaevna Vedenisova in oriental folk dress, 1909-1914. Autochrome. | src FOAM and NKFU
Piotr I. Vedenisov (Russian, 1866-1937) :: Uknown woman, Crimea, Yalta, ca. 1914. Autochrome. / NKFU
Piotr I. Vedenisov (Russian, 1866-1937) :: Uknown woman, Crimea, Yalta, ca. 1914. Autochrome. | src NKFU

Still-lifes · Florence Henri

Florence Henri :: Still Life with Mirrors and Fruit, 1929; printed 1974. Photoemulsion on linen mounted to a stretcher. | src Swann Galleries
Florence Henri, Still-life with Lemon and Pear ca. 1929 LL-91567
Florence Henri (1893-1982) :: Still-life with Lemon and Pear, ca. 1929. Gelatin silver print. | src Luminous Lint – LL/91567
Florence Henri, Abstract Composition, 1932 Swann Galleries LL-94330
Florence Henri (1893-1982) :: Abstract Composition, 1932. Gelatin silver print. | src Swann Galleries
Florence Henri :: Still Life with Mirrors and Fruit, 1929; printed 1974. Photoemulsion on linen mounted to a stretcher. | src Swann Galleries
Florence Henri :: Still Life with Mirrors and Fruit, 1929; printed 1974. Photoemulsion on linen mounted to a stretcher. | src Swann Galleries
Florence Henri :: Nature Morte, 1931. Gelatin silver print. | src Holden Luntz Gallery
Florence Henri (1893-1982) :: Nature Morte, 1931. Gelatin silver print. | src Holden Luntz Gallery

Autochrome of vase with anemones

vase with anemones autochrome
Vaas met anemonen, anoniem, ca. 1907 - ca. 1935.  (detail) | src Rijksmuseum
Vaas met anemonen, anoniem, ca. 1907 – ca. 1935. (detail) | src Rijksmuseum
Anonymous. Vase with Anemones, ca. 1907 - ca. 1935. | src Rijksmuseum
Anonymous. Vase with Anemones, ca. 1907 – ca. 1935. | src Rijksmuseum
Vaas met anemonen, anonymous, ca. 1907 - ca. 1935 | src Rijksmuseum
Vaas met anemonen, anonymous, ca. 1907 – ca. 1935 | src Rijksmuseum