Blüten von Walter Möbius

**Walter Möbius ::** Birnenblüte bei Diesbar, um 1924 | src Deutsche Fotothek

**Walter Möbius ::** Echte Schlüsselblume (Primula veris), auch Himmelsschlüssel, im Weißeritztal, um 1924 | Deutsche Fotothek

**Walter Möbius ::** Birnenblüte, aufgenommen bei Cossebaude, um 1924 | Deutsche Fotothek

**Walter Möbius ::** Sumpfporst in Blüte (und Hände), um 1924 | src Deutsche Fotothek

Plakatentwurf von Agnes Speyer

Girl by a Pool · Herbert Draper

Herbert James Draper :: A Young Girl by a Pool, oil on canvas, signed 'H.J.DRAPER' (lower left), probably 1892-93. | src Bonhams — **Herbert James Draper ::** A Young Girl by a Pool, oil on canvas, signed ‘H.J.DRAPER’ (lower left), probably 1892-93. | src Bonhams

Although not recorded in Simon Toll’s catalogue raisonné on Draper, the present lot can probably be dated to 1892-93, when the artist was working in Rome. There are a number of related studies for the work, one of which, entitled ‘Pompilia’, depicts a girl in a similar crocheted cap (illustrated p.79, no. 33). The work can also be compared with other paintings of this period, such as ‘Love in the Garden of Philetas’ (RA 1892) and ‘The Spirit of the Fountain’ (1893), where flowers and ornamental gardens appear as popular motifs. | quoted from Bonhams London

Herbert James Draper :: A Young Girl by a Pool, oil on canvas, signed 'H.J.DRAPER' (lower left), probably 1892-93. | src Bonhams | DETAIL — **Herbert James Draper ::** A Young Girl by a Pool, oil on canvas; probably 1892-93. (DETAIL)

Stereo views of landscapes

Etienne Descargues :: [Femme cueillant des fleurs dans une prairie], 1892-1914. Vue stéréoscopique. | BnF ~ Gallica — **Etienne Descargues ::** [Femme cueillant des fleurs dans une prairie], 1892-1914. Vue stéréoscopique. | BnF ~ Gallica

Etienne Descargues :: [Femme cueillant des fleurs dans une prairie], 1892-1914. Vue stéréoscopique. (half view) | BnF ~ Gallica — **Etienne Descargues ::** [Femme cueillant des fleurs dans une prairie], 1892-1914. Vue stéréoscopique. | BnF ~ Gallica

**Etienne Descargues ::** [Plan d’eau la nuit], 1892-1914. Vue stéréoscopique. | BnF ~ Gallica

Etienne Descargues :: [Arbres au printemps, prairie, maisons rurales], 1890-1914. Vue stéréoscopique. | BnF ~ Gallica — **Etienne Descargues ::** [Arbres au printemps, prairie, maisons rurales], 1892-1914. Vue stéréoscopique. | BnF ~ Gallica

Landscape by Ludewig

Hans Ludewig (German photographer) :: Untitled landscape, circa 1930 | src Drouot — **Hans Ludewig** (German photographer) :: Untitled landscape, circa 1930 | src Drouot

In the garden with Van Besten

Sebastiaan Alfonse Van Besten :: Innocence, ca. 1912. Autochrome. | src Belgian Autochromists — **Sebastiaan Alfonse Van Besten ::** Innocence, ca. 1912. Autochrome. | src Belgian Autochromists

Sebastiaan Alfonse Van Besten :: Japanesque, ca. 1913. Autochrome. | src Belgian Autochromists — **Sebastiaan Alfonse Van Besten ::** Japanesque, ca. 1913. Autochrome. | src Belgian Autochromists

Frühling ~ Träume II (1912)

Heinrich Vogeler :: Träume II (auch ,Frühling‘ oder ,Erwartung‘) | Dream II (also Spring or Contemplation), 1912. — **Heinrich Vogeler ::** Träume II (auch ,Frühling‘ oder ,Erwartung‘) | Dream II (also Spring or Contemplation), 1912. Monogrammed, inscribed and dated lower right in the coat of arms: HV W 1912. Signed and titled on the stretcher on the right: H Vogeler. Frühling. Oil on canvas. | src Grisebach · Ausgewählte Werke, 10. Juni 2021

Pinatype by Perscheid, 1900s

field of flowers, pinatype, early color, colour, pinatipie

Nicola Perscheid :: Ms. Änne Jungmann in the lupins, ca1900. Pinatype. | src MK&G — **Nicola Perscheid ::** Fräulein Änne Jungmann in den Lupinen, um 1900. Pinatypie. | src MK&G

The Pinatype is a dye transfer imbibition process. The colored picture is obtained by superimposing three gelatin films which have been exposed under negatives taken behind color-screens and dyed with corresponding colors.