Calla Lilies by Corpron, 1940s

Carlotta Corpron (1901-1988) :: Solarized Calla Lilies, 1948. Gelatin silver print. | Amon Carter Museum of American Art, Fort Worth, Texas, Gift of the artist; P1986.43.4 — **Carlotta Corpron** (1901-1988) :: Solarized Calla Lilies, 1948. Gelatin silver print. | Amon Carter Museum of American Art

Carlotta Corpron (1901-1988) :: Calla Lily with Lace, 1940s. Gelatin silver print. | Amon Carter Museum of American Art, Fort Worth, Texas, Gift of the artist; P1986.43.3 — **Carlotta Corpron** (1901-1988) :: Calla Lily with Lace, 1940s. Gelatin silver print. | Amon Carter Museum of American Art

Tulipe et fleurs, vers 1935

**Blanc et Demilly ::** “Tulipe”, vers 1935. Tirage d’exposition solarisé. Signé sur l’image au crayon rouge. | src La Gazette Drouot

**Blanc et Demilly ::** “Étude de fleurs”, vers 1935. Au dos: cachet Blanc et Demilly. | src La Gazette Drouot

Flying Girl, 1930s

**Maurice Tabard** (1897–1984) :: Flying Girl (Solarization), 1930s. | src 15th Osticht Photo Auction

Solarized Woman in a Swing 1920s

**Harry Richardson Cremer ::** Solarized Woman in a Swing, n.d. Print from glass negative on Hahnemühle Photo Rag®. | src and more information eye eye

Solarization, late 1920s

Solarization, Berlin, Germany, late 1920s. Print from glass plate negative on Hahnemühle Photo Rag®. Photographer unknown. | src eye eye

From Formes nues, 1935

**László Mohohy-Nagy ::** From ‘Formes nues’, album de nus féminins, p. 58, 1935. | src Arenberg Auctions

**László Mohohy-Nagy ::** From ‘Formes nues’, album de nus féminins, pp. 58-59, 1935. | src Musée Français de la Photographie

Formes Nues. Paris, Éditions d’Arts Graphiques et Photographiques, 1935. Spiral binding by Reliure Spirale Brevetée, photographic cover designed by Man Ray.

Limited first edition With 96 photographic reproductions (photogravures) by Laure Albin Guillot, Brassaï, Raoul Hausmann, André Kertesz, Herbert List, Kefer, Dora Maar, Georges Platt-Lynes, Man Ray, etc. “Amongst the numerous artistic manifestations of modern times, photography in all its applications arouses an ever growing interest among the general public. The photographers are guided in their works by various and even adverse conceptions. We have approached the most representative amongst them, who were kind enough to accept our invitation of expressing their unbiassed opinion on the matter, our only object being the coordination of the aggregate of subjects” (introduction). Text in French, English and German.