Yvonne Gregory (British, 1889-1970) :: Nude, ca. 1935. Matt warm-toned gelatin silver print, mounted on paper, the front signed inpencil, verso with photographer’s label, copyright limitation and label from the Camera Club Permanent Collection. | src BonhamsYvonne Gregory :: ‘The Veil’ (Nude study), 1930. Matt warm-toned gelatin silver print, mounted on paper, the front signed in pencil, the verso titled and signed in pencil, with label from the Camera Club Permanent Collection. | src BonhamsYvonne Gregory :: ‘In the Sunlight’. Nudes in Nature, 1940s. Matt warm-toned gelatin silver print, mounted on paper, the front signed in pencil, titled on verso with an assortment of labels including photographer’s credit and copyright limitation. | src Bonhams
Heinz von Perckhammer :: “Edle Nacktheit in China”, Macao, ca. 1920; photogravure on Japan paper | src Collezione MolinarioHeinz von Perckhammer :: The Culture of the Nude in China. Berlin; Eigenbrodler Verlag, [1928] | src heritage auctionsHeinz von Perckhammer ~ From “Edle Nacktheit in China”. Eigenbrödler Verlag [Berlin, 1928] 1st edition (cover) | src swordersHeinz von Perckhammer ~ From “Edle Nacktheit in China /The culture of the Nude in China”. Eigenbrodler Verlag [Berlin, 1928] Heinz von Perckhammer :: “The culture of the Nude in China”, Macao, ca. 1920; original photogravure on Japan paper | src Collezione Molinario
Heinz von Perckhammer was born in Merano, Austria-Hungary (now Italy) in 1895. During the First World War he served aboard the SMS Kaiserin Elisabeth during the Siege of Tsingtao and between 1917 and 1919 was held as a prisoner of war. It was during this time when he was held captive that his interest in photography began. He apparently remained in China for much of the 1920s, and took these soft-focused and stylized photographs of women from Macao brothels.
In the introduction to Edle Nacktheit in China he writes: ‘Pictures of nude women, setting aside the ugly caricatures of the “Spring pictures” of erotic scenes, simply do not exist in China. Therefore I believe, I have created something entirely new and of value.’ Edle Nacktheit in China was later banned by the Nazis as degenerate art (Entartete Kunst) and appeared on the Liste des schädlichen und unerwünschten Schrifttums [List of harmful and undesirable writing].
Heinz von Perckhammer ~ Nude from “Edle Nacktheit in China”. Eigenbrödler Verlag [Berlin, 1928] Heliogravür | src Koller AuktionenHeinz von Perckhammer ~ Young nude girl. Rotogravure. From “Edle Nacktheit in China”, Berlin, 1928 | src DrouotHeinz von Perckhammer ~ From “Edle Nacktheit in China”. Eigenbrödler Verlag [Berlin, 1928] 1st edition | src swordersHeinz von Perckhammer ~ From “Edle Nacktheit in China”. Eigenbrödler Verlag [Berlin, 1928] 1st edition | src swordersEdle Nacktheit in China (1928); book with 32 original photographs by Heinz v. Perckhammer | src Abebooks
E. O. Hoppé :: American nude, 1920s. Photogravure. | src vintageads on eBayEmil Otto Hoppé :: British nude, 1920s. Photogravure. | src vintageads on eBay
Gerard Fieret :: Nude torso [Naakt torso], The Hague, ca. 1965. | src RijksmuseumGerard Fieret :: Sitting nude with headband and high heels, seen from behind. Two copyright stamps and a signature are part of the image. The photo is pasted in passe-partout [Naakt zittend met haarband en pumps, op de rug gezien. Twee copyright stempels en een groot signatuur maken deel uit van het beeld. De foto is in passe-partout geplakt.], 1960 – 1980. | src RijksmuseumGerard Fieret :: Studies of Women [Studies van vrouwen], The Hague, ca. 1965. | src Rijksmuseum Gerard Fieret was an eccentric poet, painter and photographer who lived in The Hague. Between 1965 and 1975 he took hundreds of photos, mainly studies of women. Later, Fieret wandered the streets, fed the pigeons each day and kept his work in the freezer. His prints are creased and the edges frayed, with the occasional trace of pigeon droppings. On each photo, he signed his name in felt-tip pen and also furnished them with copyright stamps.