Irene Castle Corticelli Fashions

Ira Lawrence Hill :: Irene Castle Corticelli Fashions, 1910s | src Cornell University Library

Irene Castle Corticelli Fashions

When Irene Castle formalized her relationship with Corticelli Silk Mills in 1917, she was at the height of her fame: she had recently filmed the serial Patria (1917) and celebrated the success of The Whirl of Life (1915); her co-authored best selling book, Modern Dancing (1914); and the Broadway hit Watch Your Step (1914). Irene was an arbiter of fashion, outfitted almost exclusively by Lady Duff Gordon and was voted the first “Best Dressed Woman in America.”

As early as 1914, silk companies like Mallison and Corticelli began using film actresses to promote their products; however, Castle was the first film star to create a line of clothing. The line launched in tandem with the serial, Patria, and Satin Patria was the fabric promoted in the early dress designs. Initially Lady Duff Gordon was the ghost designer, but as the fashion line developed Irene took over the creative side and Corticelli advertisements emphasized her role as designer. In reality, Irene remembered in her memoirs, “I had an endorsement contract with the Corticelli Silk Company which required very little of me. I helped them design the clothes.” In the later advertisements, Corticelli claimed that the dresses were duplicates from Irene’s wardrobe. “The same delightful effect of quality which distinguishes the wraps and frocks of ‘America’s Best Dressed Woman’ is found in every ‘Irene Castle Exclusive Model,’ read a 1923 advertisement. Fall/Winter 1927 was the last season of Irene Castle Corticelli Fashions and the Corticelli Silk Mill would close soon after the start of the Great Depression. [quoted from Cornell University Library]

Ira Lawrence Hill :: Irene Castle Corticelli Fashions, 1910s | src Cornell University Library
Ira Lawrence Hill :: Irene Castle Corticelli Fashions, 1910s | src Cornell University Library
Ira Lawrence Hill :: Irene Castle Corticelli Fashions, 1910s | src Cornell University Library
Ira Lawrence Hill :: Irene Castle Corticelli Fashions, 1910s | src Cornell University Library

All Nazimova in That Sort

Alla Nazimova as Diana Laska in "That Sort". Photo: White. Published in Theatre Magazine, December 1914. | internet archive
Alla Nazimova as Diana Laska in “That Sort”. Photo: White. Published in Theatre Magazine, December 1914. | src internet archive
Alla Nazimova as Diana Laska in "That Sort". Photo: White. Published in Theatre Magazine, December 1914. | internet archive
Alla Nazimova as Diana Laska in “That Sort”. Photo: White. Published in Theatre Magazine, December 1914. | internet archive
Alla Nazimova as Diana Laska in “That Sort”. Photo: White. Published in Theatre Magazine, December 1914. | src internet archive

Valkyrien in The Hidden Valley

Valda Valkyrien [Adele Frede, Adele Freed] in the American silent adventure fantasy The Hidden Valley (1916) directed by Ernest Warde.
Valda Valkyrien [Adele Frede, Adele Freed] in the American silent adventure fantasy The Hidden Valley (1916) directed by Ernest Warde.
Valda Valkyrien [Adele Frede, Adele Freed] in the American silent adventure fantasy The Hidden Valley (1916) directed by Ernest Warde.
Advertisement for The Hidden Valley (1916). Motion Picture News (November 1916)
Valda Valkyrien [Adele Frede, Adele Freed] in the American silent adventure fantasy The Hidden Valley (1916) directed by Ernest Warde.
Advertisement for The Hidden Valley (1916). Moving Picture World, November 1906

Betty Compson is Tillie de Vamp

Betty Compson as Tillie de Vamp in an Al Christie’s comedy: Hist! At Six O’clock (1916)
“The Vamp Primes Herself with Poison Gas”. Betty Compson as the vampire in Hist! At Six O’clock”. Motion Picture News, December 1916. | src internet archive
Eddie Barry and Betty Compson in a Christie Comedy of the 1913 vintage.
Betty Compson in in a Christy diversion entitled “Hist at Six o’clock”. December, 1919 issue of Photoplay magazine

Movie star Vera Kholodnaya

Vera Kholodnaya. Portrait, in a white blouse with ruffles, in a white hat, looking to the right. Vintage postcard. | src Flickr
Vera Kholodnaya. Portrait, in a white blouse with ruffles, in a white hat, looking to the right. Vintage postcard. | src Flickr
Vera Kholodnaya. Portrait, in a white blouse with ruffles, in a white hat. Phot. M. Sakharov and P. Orlov, 1916. Postcard. | src Presidential Library
Vera Kholodnaya. Portrait, in a white hat and blouse with ruffles. Phot. M. Sakharov and P. Orlov, 1916. Postcard. | src Presidential Library
Vera Kholodnaya (1893-1919) was the first star of the Russian silent cinema. At 26, the ‘Queen of Screen’ died of the Spanish flu during the pandemic of 1919. Russian postcard, nº 135. Collection Didier Hanson. | src Flickr
Vera Kholodnaya (1893-1919) was the first star of the Russian silent cinema. At 26, the ‘Queen of Screen’ died of the Spanish flu during the pandemic of 1919. Russian postcard, nº 135. Collection Didier Hanson. | src Flickr
Vera Kholodnaya. Portrait, straight, looking to the left, in a white hat. Postcard nº 39. | src Presidential Library
Vera Kholodnaya. Portrait, straight, looking to the left, in a white hat. Postcard nº 39. | src Presidential Library

Margo Lion’s portraits

Privatfoto von Margo Lion, from a Fotoalbum (1920-1932). From Marcellus Schiffer und Margo Lion Archiv at Akademie der Künst, Berlin
headshot
smoking cigarette
Privatfoto von Margo Lion, from a Fotoalbum (1920-1932). From Marcellus Schiffer und Margo Lion Archiv at Akademie der Künst, Berlin
Privatfoto von Margo Lion, from a Fotoalbum (1920-1932). From Marcellus Schiffer und Margo Lion Archiv at Akademie der Künst, Berlin
3/4 length portrait
Privatfoto von Margo Lion, from a Fotoalbum (1920-1932). From Marcellus Schiffer und Margo Lion Archiv at Akademie der Künst, Berlin
Privatfoto von Margo Lion, from a Fotoalbum (1920-1932). From Marcellus Schiffer und Margo Lion Archiv at Akademie der Künst, Berlin
bildnis
3/4 length portrait
Privatfoto von Margo Lion, from a Fotoalbum (1920-1932). From Marcellus Schiffer und Margo Lion Archiv at Akademie der Künst, Berlin
Atelier Willinger :: Porträtfoto von Margo Lion, signiert (Seitenprofil). | src Akademie fur Künst
portrait
profile
profil
Atelier Willinger :: Porträtfoto von Margo Lion, signiert (Seitenprofil). | src Akademie fur Künst
Privatfoto von Margo Lion, from a Fotoalbum (1920-1932). From Marcellus Schiffer und Margo Lion Archiv at Akademie der Künst, Berlin
portrait
Privatfoto von Margo Lion, from a Fotoalbum (1920-1932). From Marcellus Schiffer und Margo Lion Archiv at Akademie der Künst, Berlin
Porträt und Atelierfoto von Margo Lion. Postkarte, signiert. | src Marcellus Schiffer und Margo Lion Archiv at Akademie der Künst
Porträt und Atelierfoto von Margo Lion. Postkarte, signiert. | src Marcellus Schiffer und Margo Lion Archiv at Akademie der Künst

Margo Lion, between 1920-1932

Privatfoto von Margo Lion, from a Fotoalbum (1920-1932). From Marcellus Schiffer und Margo Lion Archiv at Akademie der Künst, Berlin
3/4 length portrait
smoking
Privatfoto von Margo Lion, from a Fotoalbum (1920-1932). From Marcellus Schiffer und Margo Lion Archiv at Akademie der Künst, Berlin
Privatfoto von Margo Lion, from a Fotoalbum (1920-1932). From Marcellus Schiffer und Margo Lion Archiv at Akademie der Künst, Berlin
3/4 length portrait
Privatfoto von Margo Lion, from a Fotoalbum (1920-1932). From Marcellus Schiffer und Margo Lion Archiv at Akademie der Künst, Berlin
Privatfoto von Margo Lion, from a Fotoalbum (1920-1932). From Marcellus Schiffer und Margo Lion Archiv at Akademie der Künst, Berlin
bildnis
profil
Privatfoto von Margo Lion, from a Fotoalbum (1920-1932). From Marcellus Schiffer und Margo Lion Archiv at Akademie der Künst, Berlin
Privatfoto von Margo Lion, from a Fotoalbum (1920-1932). From Marcellus Schiffer und Margo Lion Archiv at Akademie der Künst, Berlin 
raising flass
toast
Privatfoto von Margo Lion, from a Fotoalbum (1920-1932). From Marcellus Schiffer und Margo Lion Archiv at Akademie der Künst, Berlin
Privatfoto von Margo Lion, from a Fotoalbum (1920-1932). From Marcellus Schiffer und Margo Lion Archiv at Akademie der Künst, Berlin
jewellery
Privatfoto von Margo Lion, from a Fotoalbum (1920-1932). From Marcellus Schiffer und Margo Lion Archiv at Akademie der Künst, Berlin
Privatfoto von Margo Lion, from a Fotoalbum (1920-1932). From Marcellus Schiffer und Margo Lion Archiv at Akademie der Künst, Berlin
jewelry
Privatfoto von Margo Lion, from a Fotoalbum (1920-1932). From Marcellus Schiffer und Margo Lion Archiv at Akademie der Künst, Berlin
Privatfoto von Margo Lion, from a Fotoalbum (1920-1932). From Marcellus Schiffer und Margo Lion Archiv at Akademie der Künst, Berlin
dr zeller
jewellery
Privatfoto von Margo Lion, from a Fotoalbum (1920-1932). From Marcellus Schiffer und Margo Lion Archiv at Akademie der Künst, Berlin
Privatfoto von Margo Lion, from a Fotoalbum (1920-1932). From Marcellus Schiffer und Margo Lion Archiv at Akademie der Künst, Berlin
sitting
Privatfoto von Margo Lion, from a Fotoalbum (1920-1932). From Marcellus Schiffer und Margo Lion Archiv at Akademie der Künst, Berlin

Actress Maria Corda, 1926

Film actress Maria Corda during an exercise at the "barre", which she learned at the Lore Sello movement school. [France, Paris], 1926. 
Fotograaf onbekend. Fotocollectie Het Leven (1906-1941) | src Het Geheugen
Filmactrice Maria Corda bij een oefening aan de barre, die zij bij de bewegingsschool Lore Sello geleerd heeft. [Frankrijk, Parijs], 1926. Film actress Maria Corda during an exercise at the “barre”, which she learned at the Lore Sello movement school. [France, Paris], 1926.
Fotograaf onbekend. Fotocollectie Het Leven (1906-1941) | src Het Geheugen

Actress Alexandra Rebikova

Ребикова, Александра Васильевна. Молоко в спектакле «Синяя птица». | Russian actress Alexandra Vasilievna Rebikova as Milk in the play «The Blue Bird» in costume designed by Vladimir Egorov (?) for Konstanin Stanislavski’s production of Maurice Maeterlinck’s «Oiseau Bleu» at the Moscow Art Theatre, 1908. | src academia.ru
Мей в спектакле «Сверчок на печи». Actress Alexandra Vasilievna Rebikova as May Fielding in the play «Cricket on the Hearth» at the Moscow Art Theatre. Unknown date, probably before 1908.
Мей в спектакле «Сверчок на печи». Actress Alexandra Vasilievna Rebikova as May Fielding in the play «Cricket on the Hearth» at the Moscow Art Theatre. Unknown date, probably before 1908. [Full scan of programme]
Portrait of Alexandra Vasilievna Rebikova. | src academia.ru

In 1915, Alexandra Rebikova began to star in the movies of the film company “A. Khanzhonkov and Co.” [Торгового дома «А. Ханжонков и К°] and very soon became one of the leading silent film actresses.

Alexandra Rebikova with Oleg Frelyh (Frelikh) in 1917 in the film «The Clay God» («Глиняный бог», a silent film by Nikolai Larin, 1918)
Alexandra Rebikova with Gregory Khmara (Chmara) in the film «Symphony of Sorrow» («Симфония горя», 1918) | src academia.ru

Erna Morena (Photochemie)

Atelier Binder :: Portrait of silent era actress Erna Morena. German postcard published by Photochemie, Berlin, 1900-1919. From the estate of the writer and journalist Peter Altenberg (given name: Richard Engländer). | src Wien Museum
Atelier Binder :: Erna Morena. German postcard by Photochemie, Berlin, nº K. 1740. Bildnis von A. Binder. | src Flickr
Atelier Binder :: Portrait of Erna Morena. German postcard by Photochemie, Berlin, 1900-1919. (Full size) | src Wien Museum