Valie Export* ::  Encirclement, from ‘Körperkonfigurationen’ (Body Configurations), 1972-76. In this series the artist positioned herself in several points of the city of Wien and mimed through her body the built environment immediately around. Her actions are the representation of her own states of mind, communicated by her postures and gestures. Through a performance that assumes the form of an apparently passive adaptation to the configuration of the city or the landscape, the artist reacts to the built environment in a completely different way than the one implied by the urban design.

/ source: socks studio

[*] aka Waltraud Lehner and  Waltraud Höllinger

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by this artist

Masahisa Fukase :: Slaughter, 1963 / src:
manundertheinfluence via lesdoshumain

This image
is from the photo-book “Slaughter”,
published by Super Labo.
Photographed in a slaughterhouse in Shibaura close to Tokyo Port,
Fukase captured a series of strong black and white images of his model, Yoko,
posed and cloaked in various positions in which Fukase instructed, side by side metal hooks and stainless steel work
tables within the slaughter house.

more info about this book, here

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Oda a la necrofilia, 1962

Kati Horna :: Untitled (Leonora Carrington), series Oda a la necrofilia, Ciudad de México, 1962. | src Michael Hoppen Gallery via l’œil de la photographie
Kati Horna :: Untitled (Leonora Carrington), from ‘Ode to Nechrophilia’ series, 1962. © Ana María Norah Horna y Fernández
Kati Horna :: Untitled (Leonora Carrington), from ‘Ode to Nechrophilia’ series, 1962. Museo Amparo Collection.
Kati Horna :: Leonora (Ode to Nechrophilia series) signed ‘Kati Horna’ (on the verso) gelatin silver print. Mexico City, circa 1962. | src Christie’s This image was published in S.nob magazine, issue number 1, 1962.