
Amy Friend :: We Gather to See,
Pigment print on archival Hahnemühle fine art pearl
/ src: citizenatelier
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images that haunt us

Amy Friend :: We Gather to See,
Pigment print on archival Hahnemühle fine art pearl
/ src: citizenatelier
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#amyfriend #series

Chris McCaw :: Sunburned GSP # 480 (Yukon), 2011. 8"x10" unique gelatin silver paper negative. Private collection / src:

Chris McCaw :: Sunburned GSP # 202(SF Bay/expanding), 2008. 16"x20" unique gelatin silver paper negative. Collection of the Santa Barbara Museum of Art / src: Chris McCaw

Chris McCaw :: Sunburned GSP # 839 (Every 30 minutes, Arctic Circle, Alaska), 2015. Four 4”x10” unique gelatin silver paper negatives. source:

Valie Export* :: Encirclement, from ‘Körperkonfigurationen’ (Body Configurations), 1972-76. In this series the artist positioned herself in several points of the city of Wien and mimed through her body the built environment immediately around. Her actions are the representation of her own states of mind, communicated by her postures and gestures. Through a performance that assumes the form of an apparently passive adaptation to the configuration of the city or the landscape, the artist reacts to the built environment in a completely different way than the one implied by the urban design.
/ source: socks studio
[*] aka Waltraud Lehner and Waltraud Höllinger
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Masahisa Fukase :: Slaughter, 1963 / src:
manundertheinfluence via lesdoshumain
This image
is from the photo-book “Slaughter”,
published by Super Labo.
Photographed in a slaughterhouse in Shibaura close to Tokyo Port,
Fukase captured a series of strong black and white images of his model, Yoko,
posed and cloaked in various positions in which Fukase instructed, side by side metal hooks and stainless steel work
tables within the slaughter house.
more info about this book, here
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Wes Bell :: Highway 41, Cypress County, Alberta, Canada, 2015
/ source: Washington Post
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