The Band Wagon, 1931

Florence Vandamm (uncredited on source) :: Tilly Losch in “The Band Wagon”, 1931. Gelatin silver print. | src Museum of the city of New York
Florence Vandamm :: Tilly Losch in “The Band Wagon”, 1931. Gelatin silver print. | src Museum of the city of New York
Florence Vandamm :: Tilly Losch in “The Band Wagon”, 1931. Gelatin silver print. | src Museum of the city of New York
Florence Vandamm :: Tilly Losch in “The Band Wagon”, 1931. Gelatin silver print. | src Museum of the city of New York
Florence Vandamm :: Tilly Losch in “The Band Wagon”, 1931. Gelatin silver print. | src Museum of the city of New York
Florence Vandamm :: Tilly Losch in “The Band Wagon”, 1931. Gelatin silver print. | src Museum of the city of New York

Leonor Fini in owl mask, ca. 1949

André Ostier :: Leonor Fini wearing a ball costume and the famous mask of a Snowy Owl, ca. 1949. | src stephen ellcock
André Ostier :: Leonor Fini wearing a ball costume and the famous mask of a Snowy Owl, ca. 1949. | src stephen ellcock
André Ostier :: Leonor Fini wearing a ball costume and the famous mask of a Snowy Owl, ca. 1949. | src stephen ellcock
André Ostier :: Leonor Fini wearing a ball costume and the famous mask of a Snowy Owl, ca. 1949. | src stephen ellcock

Fini’s owl mask originates with the New Year’s Eve party called the Bal des Oiseaux given at the Palais Rose on the avenue Foch, Paris, by Vicomte Charles Benoist d’Azy at the end of 1948. Webb writes, “she wore an owl mask of white feathers with headdress and gown of black-and-green-striped feathers. A series of dramatic photographs of her in this costume, as well as in the costumes for other balls of 1947 and 1948, were taken by Andre Ostier and widely published in newspapers and magazines, and Pauline Reage used the same mask in the final scene of her erotic novel Histoire d’O (Story of O), which was later illustrated by Leonor.”

Quotation from Peter Webb’s biography: Sphinx – The Life and Art of Leonor Fini

Retrieved from Story of O

Rolf Arco by Jacobi & Riwkin

Lotte Jacobi (1896-1990) ~ Der Tänzer Rolf Arco mit Maske, Berlin, 1931 © Lotte Jacobi Archives. | src die Zeit & art in berlin
Anna Riwkin (1908-1970) ~ Dansaren Rolf Arco, 1933. Gelatinsilverfotografi | src Moderna Museet
Anna Riwkin (1908-1970) ~ Dansaren Rolf Arco, 1933. Gelatinsilverfotografi | src Moderna Museet

Lynn Fontanne, Strange Interlude

Edward J. Steichen :: British-born American-based actress Lynn Fontanne (born Lillie Louise Fontanne) as Nina Leeds, the desperate heroine of Eugene O'Neill’s controversial nine-act drama Strange Interlude, 1928. Gelatin silver print. | src Curiator
Edward J. Steichen :: British-born American-based actress Lynn Fontanne (born Lillie Louise Fontanne) as Nina Leeds, the desperate heroine of Eugene O'Neill’s controversial nine-act drama Strange Interlude, 1928. Gelatin silver print. | src Curiator
Edward J. Steichen :: British-born American-based actress Lynn Fontanne (born Lillie Louise Fontanne) as Nina Leeds, the desperate heroine of Eugene O’Neill’s controversial nine-act drama Strange Interlude, 1928. Gelatin silver print. | src Curiator

Karsavina in Scheherazade

Emil Otto Hoppé :: Tamara Karsavina as Zobeide in ‘Schéhérazade’, London, England, 1920 | src  e.o.hoppe/photoshelter/ballets.russes

Schalk ~ Scoundrel, 1920s

Mario von Bucovich (Atelier Karl Schenker) :: Niddy Impekoven. “Schalk” (Scoundrel). In Der künstlerische Tanz unserer Zeit by Hermann and Marianne Aubel. Leipzig: K.R. Langewiesche, 1928. | src Crossett Library
Karl Schenker :: Niddy Impekoven. “Schalk”. Ross Verlag postcard, series 381/3. | src Photographies pour Tous
Karl Schenker :: Niddy Impekoven. “Schalk”. Ross Verlag postcard, series 381/2. | src Photographies pour Tous
Karl Schenker :: Niddy Impekoven as “Schalk”. Original photograph designed as a postcard, 1920′s. In the border: publisher: “Ross”, Berlin. Publisher’s series No. 381/2. | src Zvab