Adolph Bolm, ca. 1922-1924

Ella McBride :: Untitled (Adolph Bolm), circa 1922–24. Gelatin silver print on Textura tissue. | src Tacoma Art Museum

Alicia Markova as Giselle, 1958

Thérèse Le Prat :: Alicia Markova dans Giselle (London Festival Ballet), 1958. | src Ministère de la culture (Médiathèque de l’architecture et du patrimoine) · RMN

Águila · Minotauro · Sixto

Flor Garduño :: Caballero Águila [Eagle Knight], 1986. Gelatin silver print, printed 1992, signed, titled, dated and notation ‘1769’ in pencil on the verso. | src Bonhams · Auction 04·2022
Flor Garduño :: Minotauro, México, 1984. | src Flor Garduño
Flor Garduño :: El tío Jorge, Bolivia, 1990. | src Flor Garduño
Flor Garduño :: Sixto, Bolivia, 1990. | src Flor Garduño

«La bayadera», 1914

Adolf Mas i Ginestà :: Carmen Tórtola Valencia. Danza «La bayadera», 1914 © MAE · Institut del Teatre. From: Exposició “Els Ulls de Barcelona”. KBr Fundación MAPFRE. | src l’œil de la photographie

Lo Hesse, Rollenporträt

Franz Xaver Setzer :: Lo Hesse, Rollenporträt | Role portrait, undated. (Primula Vera) | src Theatermuseum Wien
Franz Xaver Setzer :: Lo Hesse, Rollenporträt | Role portrait, undated. (Primula Vera) | src Theatermuseum Wien
Franz Xaver Setzer :: Lo Hesse, Rollenporträt | Role portrait, undated. (Primula Vera) | src Theatermuseum Wien

German dancer and model Lo Hesse was the muse of German Avant-garde designer Walter Schnackenberg in the 1910s. She was known for her extravagantly costumed performances with famed dancer Joachim von Seewitz.

Walter Schnackenberg :: Ballet und Pantomime 'Primula Vera' (Lo Hesse), plate # 7, 1920. | src 1st dibs
Walter Schnackenberg :: Ballet und Pantomime ‘Primula Vera’ (Lo Hesse), plate # 7, 1920. | src 1st dibs

“Schnackenberg was a regular contributor to the German magazines Jugend and Simplicissimus before devoting himself to the design of stage scenery and costumes. In the artist’s theatrical work, his mastery of form, ornamentation, and Orientalism became increasingly evident. He excelled at combining fluid Art Nouveau outlines, with spiky Expressionist passages, and the postures and patterns of the mysterious East.”

Metallischen Fest, 1929

E. Metzke :: Ohne Titel (Melusine Herker auf dem Metallischen Fest am 9. Februar 1929 im Bauhausgebäude). Vintage gelatin silver print with photographer’s blind-stamp on bottom right. | src Stiftung Bauhaus Dessau

Costume ball in Savoy, 1919

Jacques-Henri Lartigue :: Costume ball in Savoy. Me and Germaine Boivin as twin sisters, Chamonix, January 1919. From: Lartigue. Life in Color. | src internet archive