Vintage Russian postcard depicting Russian actor Vasily Ivanovich Kachalov [Васи́лий Ива́нович Кача́лов] in Anathema, a play by Russian playwright Leonid Andreyev at the Moscow Art Theater. [ca. 1900] akademic.ruRussian actor Vasily Ivanovich Kachalov in the title role of Leonid Andreyev’s Anathema. Kachalov led the so-called Kachalov Group within the Moscow Art Theater. [Ryckoff Collection]. | src Getty ImagesRussian actor Vasily Ivanovich Kachalov in the title role of Leonid Andreyev’s Anathema. (ca. 1900) | src Getty imagesК. С. Малевич. Василий Качалов в пьесе Л. Андреева “Анатэма”. 1908 г. Единственный пробный оттиск гг. Коллекция С. Григорьянца | Vasily Kachalov in Anathema by Kazimir Malevich (1908) | src wikimedia commonsVasily Ivanovich Kachalov by Kazimir Severinovich Malevich (1908) | src twitter
Ребикова, Александра Васильевна. Молоко в спектакле «Синяя птица». | Russian actress Alexandra Vasilievna Rebikova as Milk in the play «The Blue Bird» in costume designed by Vladimir Egorov (?) for Konstanin Stanislavski’s production of Maurice Maeterlinck’s «Oiseau Bleu» at the Moscow Art Theatre, 1908. | src academia.ru Мей в спектакле «Сверчок на печи». Actress Alexandra Vasilievna Rebikova as May Fielding in the play «Cricket on the Hearth» at the Moscow Art Theatre. Unknown date, probably before 1908.Мей в спектакле «Сверчок на печи». Actress Alexandra Vasilievna Rebikova as May Fielding in the play «Cricket on the Hearth» at the Moscow Art Theatre. Unknown date, probably before 1908. [Full scan of programme]Portrait of Alexandra Vasilievna Rebikova. | src academia.ru
In 1915, Alexandra Rebikova began to star in the movies of the film company “A. Khanzhonkov and Co.” [Торгового дома «А. Ханжонков и К°] and very soon became one of the leading silent film actresses.
Alexandra Rebikova with Oleg Frelyh (Frelikh) in 1917 in the film «The Clay God» («Глиняный бог», a silent film by Nikolai Larin, 1918)Alexandra Rebikova with Gregory Khmara (Chmara) in the film «Symphony of Sorrow» («Симфония горя», 1918) | src academia.ru
Photograph of Nijinsky in the title role of the ballet Petrouchka (Petrushka), 1911. [Mishkin N.Y.] | src Library of CongressElliott & Fry :: Vaslav Nijinsky as the Rag Doll ‘Petrouchka’ (1911). Petrushka [French: Petrouchka] premiered June 13, 1911 at the Theatre du Chatelet in Paris with costume and scenery design by Alexandre Benois, music by Igor Stravinsky and choreography by Michel Fokine. | src Leo Boudreau, visit his site for more info about Petrouchka and links to the ballet’s videosPortrait of Vaslav Nijinsky in three-quarter profile, left fist clenched before him in the title role of Petrouchka (a rag doll), 1910-1911. Petrouchka (Choreographic work: Michel Fokine); uncredited photographer on source | src NYPLDover Street Studios (Photographer) :: Nijinsky, London, 1910-1911. | src NYPLVaslav Nijinsky in Petrushka (1911) | src San Francisco Symphony : Stravinsky Exhibition
Man Ray (Emmanuel Radnitzky) :: Bal au château des Noailles, vers 1929. Epreuve gélatino-argentique. | src l’œil de la photographieMan Ray (Emmanuel Radnitzky) :: Bal au château des Noailles, vers 1929. [full image] | src l’œil de la photographieMan Ray (Emmanuel Radnitzky) :: Bal au château des Noailles, vers 1929. Epreuve gélatino-argentique. | src Centre Pompidou
Thérèse Le Prat :: La danseuse Françoise Joachim Pérez (ballet d’Amérique latine), 1957. | src Ministère de la CultureThérèse Le Prat :: Silvia Monfort (actrice) Lady Godiva dans Lady Godiva de Jean Canolle, 1958. | src Ministère de la Culture de la série Masques et Destins, 1955 ou Le Masque et l’Humain, 1959 Référence de publication de l’image: L’Avant-Scène, n°177, 1er juillet 1958 Référence de publication de l’image: Le Masque et l’Humain, éd. La Colombe, Paris, 1959, p. 22
Maria Meneghini Callas backstage after a performance of Lucia. Photo: Paolo Costa. Autographed 1959. | src & thanks & link to original post on tumblr >>> Gnossienne