![Robert Demachy :: [Nu féminin]; Autochrome; 1907-1915. | src BnF · Gallica](https://unregardobliquehome.files.wordpress.com/2022/06/robert-demachy-nu-feminin-debout-autochrome-1907-1915-src-bnf-gallica.jpeg)
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![Robert Demachy :: [Nu féminin]; Autochrome; 1907-1915. | src BnF · Gallica](https://live.staticflickr.com/65535/52127845292_6894b83216_o.jpg)
![Robert Demachy :: [Nu féminin]; Autochrome; 1907-1915. | src BnF · Gallica](https://live.staticflickr.com/65535/52127845277_b899d96723_o.jpg)
![Robert Demachy :: [Nu féminin]; Autochrome; 1907-1915. | src BnF · Gallica](https://live.staticflickr.com/65535/52129109364_37427845c2_o.jpg)
images that haunt us
Robert Demachy :: Behind the Scenes, France, 1906. Photogravure. (From the journal Camera Work)
/ src: Philadelphia Museum of Art
more [+] by this photographer
Robert Demachy :: Behind the Scenes, France, 1904. Halftone. (From the journal Camera Work) / src: Philadelphia Museum of Art
Robert Demachy :: Mignon, 1900 / source: el hurgador
“In 1894
Demachy
began to use the gum bichromate printing process recently introduced by A. Rouillé-Ladevèze at the Paris Salon. He developed a style that relied upon heavy manipulation of the image both during the development of the negative and again while printing.” quoted from source.