Kassian Golejzovsky, Kasjan’s ballet. Poster, first half of the 1920s. Pencil, collage, white lead on plywood. [K. Golejzovskij, Il balletto di Kasjan K. Golejzovskij, manifesto, metà anni venti. Matita, collage, biacca su compensato]. | src Nicoletta Misler: L’Arte del Movimento in Russia 1920-1930
František Drtikol (1883-1961)~ Vlna (Wave), 1926 | src Uměleckoprůmyslové museum v PrazeFrantišek Drtikol ~ Vlna (Wave), 1925. One of the ten versions of this picture kept at the Museum of Decorative Arts in PragueFrantišek Drtikol (1883-1961)~ Temná vlna (The Dark Wave), 1926, pigment printPhotographer František Drtikol / Works from 1903 – 1935, Museum of Decorative Arts in Prague, December 1972 – February 1973 Fotograf František Drtikol / Tvorba z let 1903 – 1935, Uměleckoprůmyslové Muzeum, Praha, Prosinec 1972 – Únor 1973 poster designed by unknown artist in 1972 | src Jozef Square
From: Exhibition catalogue: “Frantisek Drtikol Works between 1903 and 1930” at the UMPRUM Museum Prague December 1972 – February 1973. | src Abebooks
Fotograf František Drtikol / Tvorba z let 1903 – 1935, Uměleckoprůmyslové Muzeum, Praha, Prosinec 1972 – Únor 1973 Photographer František Drtikol / Works from 1903 – 1935, Museum of Decorative Arts In Prague, December 1972 – February 1973 poster design: Unknown Artist, 1972 | src JosefSquareFrom: Exhibition catalogue: “Frantisek Drtikol Works between 1903 and 1930” at the UMPRUM Museum Prague December 1972 – February 1973. | src Abebooks
Poster for the French silent film L’Atlantide (aka Missing Husbands, Lost Atlantis), directed by Jacques Feyder, starring Stacia Napierkowska as Queen Antinea (1921). Poster design by Manuel Orazi. | src IMdBPoster for the French silent film L’Atlantide (aka Missing Husbands, Lost Atlantis), directed by Jacques Feyder, starring Stacia Napierkowska as Queen Antinea (1921). Poster design by Manuel Orazi. | src IMdB
Louis Raemaekers :: L’Hecatombe. La Syphilis. “An image meant to warn Belgian soldiers returning from the front of the dangers of ‘The French Pox’. It depicts a dangerous woman standing both seductively and menacingly in front of a field of graves.” | src The Guardian
Alfred Roller (1864–1935) :: XIV. Ausstellung der Vereinigung bildender Künstler Österreichs – Secession Wien. Klinger – Beethoven. (1902) | src MK&G ~ Museum für Kunst und Gewerbe (Hamburg)
Oskar Kokoschka :: Shepherd, Stag and Fox (Hirt, Hirsch und Fuchs). Illustration for the shadow play The Speckled Egg (Das getupfte Ei) (plate 1) from the First Theater Program of Kabarett Fledermaus (Cabaret Fledermaus), 1907. Designed by Carl Otto Czeschka, this program exemplifies the then-current idea of the Gesamtkunstwerk, or total work of art. | src MoMA