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Three Maiko, 1928. Three maiko (apprentice geisha), Takewaka on the left, Tomeko in the centre and Satogiku on the right. / src: Blue Ruin
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Three Maiko, 1928. Three maiko (apprentice geisha), Takewaka on the left, Tomeko in the centre and Satogiku on the right. / src: Blue Ruin
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Kyuzo Okamoto :: Geiko Yachiyo with an Insect Cage, vintage postcard, 1910
Insects as pets. Yachiyo was a famous Osaka geiko (geisha), known for her elegance and her lovely personality. People were said to weep with joy at the sight of her dancing. She joined the flower and willow world at the age of thirteen, left to marry at the age of twenty-nine. / source: Blue Ruin
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Ashibe Odori, 1910′s
Maiko (apprentice geisha) Yachiyo II of Osaka, dressed for the Ashibe Odori, the public dances of the Nanchi Gokagai (Southern five geisha districts), which were first performed in November 1888. The geiko (geisha) of Osaka are known for their “hera-hera odori” or dances that feature acrobatic stunts such as handstands. / src: Blue Ruin
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A Geisha biting a Tenugui, 1920′s
“[She] rises to one knee and puts one end of her [tenugui] hand towel in her teeth, pulling on it with her right hand. This is a typical Kabuki gesture for a female character in the throes of a deep emotion.” According to “The Art of Kabuki” edited by Samuel L. Leiter, first published in 1979, page 114. / src: Blue Ruin
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Kichiya-musubi, 1905
A Geisha dressed in the Genroku style, fashionable among Tokyo Geisha around 1905-1908. She is showing her obi, tied in the Kichiya-musubi style, a knot named after Kamimura Kichiya (or Uemura Kichiya I) who was a popular Kabuki Actor during the Genroku period (1680′s).
The Kichiya-musubi was in fact a particularly famous and popular knot, mentioned specifically in a number of poems. The knot is a relatively simple one, but with small lead weights hidden in the obi, weighing down the ends of the bow, so they drooped “like the ears of a … Chinese lion-dog.” / src: Blue Ruin
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Geiko Tomigiku reading a Newspaper, 1921. The supremely stylish Tomigiku, dated 28/12/1921 on the reverse./ source: Blue Ruin
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Shinbashi Geisha with a Cricket Cage, 1905. Insects as pets. / source: Blue Ruin
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Maiko Momotaro – Sakkou Hairstyle, 1920′s
“Originally believed to be worn by married women of the merchant class during the late Edo period (1603-1868), starting in the Meiji era (1868-1912) the sakkou was the hairstyle worn by apprentice geisha in the weeks leading up to their debut as full-fledged geisha.“
(Voyages en Photographie) / src: Blue Ruin
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Koyakko showing her Obi, 1920′s
The very iki (stylish or chic) geisha Koyakko. During her subsequent career as the master dancer Hanayagi Sumi, an orchestral ballet entitled “Heavenly maiden and fisherman” was written for her, which she first performed in 1932. / src: Blue Ruin
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Osaka Maiko Yachiyo II, 1915
Myōseki (inherited names) are often used when naming a new Maiko (Apprentice Geisha) as a mark of respect for a former Geiko (Geisha) and as a means of carrying the cachet of celebrity down through generations.
The geimei (professional name) of a meigi (famous geisha) who has retired from the profession is given to a promising young maiko, but with the suffix ‘the second’ added to it. This can carry on ad infinitum i.e. ‘the third, the fourth, etc.’ with successive generations. This hereditary naming system applies to almost all artisan professions in Japan, including Tayuu (Courtesans) and Kabuki Artists. source: Blue Ruin