Benjamin Joseph Falk:: Full length portrait of Loie Fuller, for the portrait she was standing still while moving the fabric of her white costume during the exposure, she stood on top of a mirror and was brightly lit, 1896 (marked nº 12) | src The New York Public Library (NYPL) via Getty Images
Ekaterina Galanta (Ketty de Galantha). Primera bailarina de carácter del Teatro Colón (Argentina). Published in El Gráfico, nº 111, sábado 13 de agosto de 1921. Front cover. | src wikimedia commons
Henri Manuel (1874-1947) ~ Loïe Fuller in Robert d’Humières’ Tragédie de Salomé at the Théâtre des Arts, Paris, 1907 | src AderHenri Manuel (1874-1947) ~ Loïe Fuller (1862 – 1928) in attrezzo for the Tragedy of Salome, 1896 | src getty images
Benjamin Joseph Falk:: Portrait of stage actress and dancer Loïe Fuller sitting barefoot atop a mirror, 1896 (marked nº 8). | src Washington University Libraries
Victor Jory as Oberon: “We are spirits of another sort.” (III.ii.388) Oberon, King of the Fairies, rules the Fairy Kingdom. A Midsummer Night’s Dream (Warner Brothers, 1935), directed by William Dieterle and Max Reinhardt. Photographer: Hans Fred Konekamp. Still photographer: Mickey Marigold. | src Cleveland State University
The dancer Anton Birkmayer. Published in La Danse, November 1922. Front cover | src CND ~ MédiathèqueThe dancer Anton Birkmayer. Published in La Danse, November 1922 | src CND ~ Médiathèque
Karel Váňa :: Arnoštka Coufalová (as Fatmé) in Bajaja Ballet, 1916 (Choreographed by Augustin Berger, according to the model of Jindřich Kaan from Albeşti). | src Prague National Theatre