Lifar by Hoyningen-Huene, 1930

George Hoyningen-Huene (Russian, 1900-1968) :: Serge Lifar, 1930. Vogue magazine.
George Hoyningen-Huene (Russian, 1900-1968) :: Serge Lifar; Vogue ; Paris (1930) Heritage Auctions
George Hoyningen-Huene (Russian, 1900-1968) :: Serge Lifar, 1930. Vogue magazine.

Hagemeyer by Hagemeyer

Johan Hagemeyer (1884-1962) :: [Johan Hagemeyer] [glass negative, retouched] undated but the item belongs to Early Works folder (circa 1908-1915). | src OAC · Calisphere
Johan Hagemeyer (1884-1962) :: [Johan Hagemeyer] [negative] selfportrait [reading] | src OAC · Calisphere
Johan Hagemeyer (1884-1962) :: [Johan Hagemeyer reading in forest.] [negative] selfportrait | src OAC
Johan Hagemeyer (1884-1962) :: [Johan Hagemeyer reading] [negative] selfportrait | src OAC
Johan Hagemeyer (1884-1962) :: [Johan Hagemeyer reading in chair.] [negative] Selfportrait | src OAC
Johan Hagemeyer (1884-1962) :: Johan Hagemeyer. Nitrate negative. Selfportrait. | src OAC · Calisphere

Maya Deren by A. Hammid (1940s)

Alexander (Hammid) Hackenschmied :: Maya Deren, n.d. | src Flickr
Alexander Hackenschmied (1907 – 2004) :: Maya s vlajícími vlasy [Maya with hair fluttering], 1942, vintage gelatin silver print | sign. vzadu Alexander Hammid 1942 | src Prague Auctions
Alexander Hackenschmied (1907 – 2004) :: Hair, 1942.; gelatin silver print | sign. vzadu A. Hammid 1942. | src Prague auctions

Vaslav Nijinsky as Petrushka, 1911

Photograph of Nijinsky in the title role of the ballet Petrouchka (Petrushka), 1911. [Mishkin N.Y.] | src Library of Congress
Elliott & Fry :: Vaslav Nijinsky as the Rag Doll ‘Petrouchka’ (1911). Petrushka [French: Petrouchka] premiered June 13, 1911 at the Theatre du Chatelet in Paris with costume and scenery design by Alexandre Benois, music by Igor Stravinsky and choreography by Michel Fokine. | src Leo Boudreau, visit his site for more info about Petrouchka and links to the ballet’s videos
Portrait of Vaslav Nijinsky in three-quarter profile, left fist clenched before him in the title role of Petrouchka (a rag doll), 1910-1911.
Petrouchka (Choreographic work: Michel Fokine); uncredited photographer on source | src NYPL
Dover Street Studios (Photographer) :: Nijinsky, London, 1910-1911. | src NYPL
Vaslav Nijinsky in Petrushka (1911) | src San Francisco Symphony : Stravinsky Exhibition

Bal au château des Noailles, 1929

Man Ray (Emmanuel Radnitzky) :: Bal au château des Noailles, vers 1929. Epreuve gélatino-argentique. | src l'œil de la photographie (detail)
Man Ray (Emmanuel Radnitzky) :: Bal au château des Noailles, vers 1929. Epreuve gélatino-argentique. | src l’œil de la photographie
Man Ray (Emmanuel Radnitzky) :: Bal au château des Noailles, vers 1929. Epreuve gélatino-argentique. | src l'œil de la photographie
Man Ray (Emmanuel Radnitzky) :: Bal au château des Noailles, vers 1929. [full image] | src l’œil de la photographie
Man Ray (Emmanuel Radnitzky) :: Bal au château des Noailles, vers 1929. Epreuve gélatino-argentique. | src Centre Pompidou
Man Ray (Emmanuel Radnitzky) :: Bal au château des Noailles, vers 1929. Epreuve gélatino-argentique. | src Centre Pompidou

The Fifty faces of Juliet

Man Ray :: The Fifty faces of Juliet, 1941-1954. | src WO | MAN RAY. Le seduzioni della fotografia
Man Ray :: The Fifty faces of Juliet, 1941-1954. | src WO | MAN RAY. Le seduzioni della fotografia
Man Ray :: The Fifty faces of Juliet, 1941-1954. | src WO | MAN RAY. Le seduzioni della fotografia
Man Ray :: The Fifty faces of Juliet, 1941-1954. | src WO | MAN RAY. Le seduzioni della fotografia
Man Ray :: The Fifty faces of Juliet, 1941-1954. | src WO | MAN RAY. Le seduzioni della fotografia
Man Ray :: Juliet Browner, vers 1945. Négatif au gélatino bromure d’argent sur support souple. | src Centre Pompidou
Man Ray (Emmanuel Radnitzky) :: Juliet, vers 1950. Négatif gélatino-argentique sur support souple. | src Centre Pompidou

Sipprell by Sipprell, 1900-1970

Francis J. Sipprell (1878-1958) :: Portrait of Clara E. Sipprell, ca. 1910. Platinum print. Burchfield Penney Art Center. | src l’œil de la photographie (broken link; linked to l’œil homepage)
Francis J. Sipprell (1878-1958) :: Clara E. Sipprell (1885-1975), ca. 1910. Platinum print. | src Burchfield Penney Art Center
Clara Sipprell :: [Fragment of portrait of Clara Sipprell], ca. 1900. Gelatin silver print. Clara E. Sipprell Collection. There is no mention on source whether this photograph was taken by Clara or Francis. | src Amon Carter Museum of American Art
Clara Sipprell :: Lucy Sipprell, ca. 1913. Platinum print. Scan from color transparency. | src Smithsonian American Art Museum
Allen Sipprell (1919-1998) :: Portrait of Clara E. Sipprell, ca. 1970. Gelatin silver print. | src Burchfield Penney Art Center

Clara E. Sipprell was one of America’s most important pictorial photographers of the early 20th century. Born in Canada, she moved to Buffalo, New York after her oldest brother Francis opened a photography studio. She worked part-time as an apprentice, but eventually dropped out of school to work full-time at his studio, where she learned all different types of photographic techniques. She partnered with him in 1905, and after working together for ten years and having many successful shows, she opened a studio in New York City and eventually traveled all over the world.

Clara E. Sipprell’s use of a soft-focus lens and her reliance upon entirely natural light gave her photographs an atmospheric effect and moody romanticism. She was a successful portraitist, photographing such notable people as Eleanor Roosevelt, Robert Frost, and Albert Einstein. However, she did not confine herself to that genre. Her landscapes, cityscapes, and still-life subjects were exhibited in national and international salons, galleries, and museums. There are over 1,000 photographs by Sipprell in the Amon Carter Museum collection, a gift from The Dorothea Leonhardt Fund of the Communities Foundation of Texas, Inc.  The (then) Burchfield Art Center presented a solo exhibition of her work in 1991.

quoted from Burchfield Penney Art Center

Le Masque et l’Humain, 1959

Thérèse Le Prat :: La danseuse Françoise Joachim Pérez (ballet d’Amérique latine), 1957. | src Ministère de la Culture
Thérèse Le Prat :: Silvia Monfort (actrice) Lady Godiva dans Lady Godiva de Jean Canolle, 1958. | src Ministère de la Culture
de la série Masques et Destins, 1955 ou Le Masque et l’Humain, 1959
Référence de publication de l’image: L’Avant-Scène, n°177, 1er juillet 1958
Référence de publication de l’image: Le Masque et l’Humain, éd. La Colombe, Paris, 1959, p. 22