Admiring a print, ca. 1910

Eva Watson-Schütze :: Woman Admiring a Print, ca. 1910. Bromoil print. | src V&A museum
Eva Watson-Schütze :: Woman Admiring a Print, ca. 1910. Bromoil print. | src V&A museum

The image shows a woman in full length, wearing a long dress and standing at a table in profile against a blank pale wall, holding the edges of a print which is resting on the table. Bright light from a window in the top left of the photograph lights the front of the woman and the tabletop.

This is an example of the bromoil process invented around 1907, in which a bleached image is re-developed with pigment applied with brushes. ‘Pictorialist’ photographers favoured its broad tonal effects and diffuse detail. The print being ‘admired’ in the image is likely to have been a finely crafted photograph much like this one. [Gallery 100, ‘History of photography’, 2012-2013]

quoted from V&A Museum

Portraits of Mayakovsky

Abram Shterenberg (1894-1979) ~ Portrait of Russian poet Vladimir Mayakovsky, 1924. Vintage gelatin silver print. | src Nailya Alexander Gallery

Abram Shterenberg probably was the first photographer who took portraits of Mayakovsky (ca. 1923). Rodchenko used his portraits for the photomontages for “Pro Eto” (About This), the love poem Mayakovsky wrote for his muse Lili Brik.

Alexander Rodchenko ~ The Poet Vladimir Mayakovsky, 1924
Alexander Rodchenko ~ The Poet Vladimir Mayakovsky, 1924. Museum Series, Portfolio n.1: Classic Images, 1924-1936 | Christie’s
Alexander Rodchenko ~ The Poet Vladimir Mayakovsky, 1924. Museum Series, Portfolio n.1 Classic Images, 1924-1936 | Christie’s
Alexander Rodchenko, also Aleksandr Rodchenko ~ Portrait of Mayakovsky, 1924 | src Nayla Alexander Gallery
Alexander Rodchenko ~ Vladimir Mayakovsky, 1924. Museum Series, Portfolio n. 2: Portraits, 1924 – 1937 | src Sotheby’s