
Imogen Cunningham :: Sunbonnet Lady, Fillmore St., San Francisco, 1950. Vintage silver print. / via
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images that haunt us

Voula Th. Papaioannou :: Departure of an old Jewish woman for Palestine. Piraeus, Greece, 1945-1946 / src: Benaki Museum
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The image shows a woman in full length, wearing a long dress and standing at a table in profile against a blank pale wall, holding the edges of a print which is resting on the table. Bright light from a window in the top left of the photograph lights the front of the woman and the tabletop.
This is an example of the bromoil process invented around 1907, in which a bleached image is re-developed with pigment applied with brushes. ‘Pictorialist’ photographers favoured its broad tonal effects and diffuse detail. The print being ‘admired’ in the image is likely to have been a finely crafted photograph much like this one. [Gallery 100, ‘History of photography’, 2012-2013]
quoted from V&A Museum

Voula Th. Papaioannou :: Portrait of a girl, Distomo, Greece, 1945 / src: Benaki Museum
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Voula Th. Papaioannou :: Street vendor selling brooms, Greece, 1945-1955 / src: Benaki Museum
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Le Quattro Stagioni di Marvellini :: Winter. Digital post-processing from an antique original photo with insertions of elements and pictures taken in photo studio. Baryta-coated paper with silver salts treated in darkroom with tannic acid.

Abram Shterenberg probably was the first photographer who took portraits of Mayakovsky (ca. 1923). Rodchenko used his portraits for the photomontages for “Pro Eto” (About This), the love poem Mayakovsky wrote for his muse Lili Brik.




