Pierre-Louis Pierson :: Portrait of Countess of Castiglione
in fancy dress

as a Carmelite Nun, 1863. ‘The Hermit of Passy’: one of three poses known. The images were taken after the charity event in which the countess appeared in the ‘tableau vivant’ as a Carmelite nun. The countess authorized the sale of one of the photographs for 50 francs a copy. The money was to go to charity. This image is an enlargement of the bust of the Countess as it appears in the seated version of ‘The Hermit of Passy.’ / src: Stephen Ellcock and The Red List

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Pierre-Louis Pierson :: The Countess of Castiglione, 1867. Virginia Oldoini (Virginia Elisabetta Luisa Carlotta Antonietta Teresa Maria Oldoïni), Countess of Castiglione (1837-1899), better known as La Castiglione, was born to an aristocratic family from La Spezia. She was a 19th-century Italian aristocrat who achieved notoriety as a mistress of Emperor Napoleon III of France. She was also a significant figure in the early history of photography. / src: retro-vintage-photography

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Pierre-Louis Pierson :: The Countess of Castiglione as

Anne Boleyn, 1867. Virginia Oldoini (Virginia Elisabetta Luisa Carlotta Antonietta Teresa Maria Oldoïni), Countess of Castiglione (1837-1899), better known as La Castiglione, was born to an aristocratic family from La Spezia. She was a 19th-century Italian aristocrat who achieved notoriety as a mistress of Emperor Napoleon III of France. She was also a significant figure in the early history of photography. / src: retro-vintage-photography

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