Zur Porträt-Photographie unserer Tage

Jozsef Pécsi :: Photographische Studie. Zur Porträt-Photographie unserer Tage. Deutsche Kunst und Dekoration: illustr. Monatshefte für moderne Malerei, Plastik, Architektur, Wohnungskunst u. künstlerisches Frauen-Arbeiten. Band XLXIX: Oktober 1921-März 1922. | src Universitätsbibliothek Heidelberg

Photographic Study, 1860s

Clementina Maude, Viscountess Hawarden, aka Lady Clementina Hawarden ~ Photographic Study, early 1860s. Albumen silver print from glass negative | src MetMuseum

Clementina Maude, her mother’s preferred model, is seen here in a reflective pose against a star-studded wall. The casual placement of the shawl on the table and the girl’s loose hair contribute to the feeling of intimacy. In the airy room time seems to be suspended. The sensuous curves of the table legs, the soft weight of the crushed velvet, and the crispness of the starry wallpaper are enhanced by the skillful handling of the collodion technique. The composition, devoid of Victorian clutter, brings together light, shadow, and compositional elements in a spare and appealing interplay. In contrast to the prevailing fashion of giving literary or sentimental titles to portraits of young women, Lady Hawarden titled her works simply “Photographic Study”.

Lady Clementina Hawarden aka Viscountess Hawarden ~ Photographic Study, early 1860s (detail) | src MetMuseum

Some studies by Funke, 1920s

Jaromir Funke :: Advertising study for Styx Coty Perfume, 1926. Bromide print. From «Modernism and Advertising Photography 1920 – 1930» | src l’œil de la photographie
Jaromír Funke :: Composition (of a perfume), ca. 1925-1927. Vintage gelatin silver print. | src Koch Gallery
Jaromír Funke :: Still-life, ca. 1923. Silver bromide print; printed ca. 1923. | src Howard Greenberg Gallery