Bert Stern :: ‘The Life and Times of Sigmund Freud’, a scene from the play by Robert Wilson, Vogue, August 1970
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Tag: photocomposite, photomanipulation, photocollage
Cecil Beaton :: Lady Diana Cooper, 1930 (src: National Portrait Gallery, via
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Niddy Impekoven and hand
Kasia Derwinska :: The museum of useless efforts / via yama-bato / src: Saatchi Art
K.K. DePaul :: from Only Child series / more at kkdepaul.com
(…) pero yo no tengo muy claro que yéndote, por muy lejos que te vayas, puedas escapar. Me da la impresión de que no hay que confiar demasiado en la distancia.
Haruki Murakami: Kafka en la orilla. Ed. Tusquets, 2002. Trad. Lourdes Porta
source: wolfson-stuart
Edmund Kesting :: Multiple exposure: (Dancers) Palucca / Wigman; Dresden I. Original photograph, 1920’s (printed 1991). Belichtungsmontage: Palucca / Wigman; Dresden I. Original Fotografie 1920er Jahre (Abzug von 1991). / source: www.zvab.com
Charlotte Rudolph :: Hands of dancer and choreographer Mary Wigman, Dresden, 1920′s.
From Rudolf Bach’s: The Mary Wigman work. With contributions by Mary Wigman and 80 illustrations. Published in Dresden: Carl Reissner, 1933
/ source: MOHA, Art of Movement Collection
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Charlotte Rudolph :: Hands of dancer and choreographer Mary Wigman, 1920′s.
From Rudolf Bach’s: The Mary Wigman work. With contributions by Mary Wigman and 80 illustrations. Published in Dresden: Carl Reissner, 1933
/ source: MOHA, Art of Movement Collection
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Ordeal by Roses # 29
Hosoe’s best known series is Barakei, a wild yet poetic portrait of Japanese writer Yukio Mishima. A celebrated intellectual, Mishima wanted to be seen as a “man of the body.” These prints are non-traditional, incorporating montage, multiple exposures, bleaching and other manipulation.
un regard oblique 