
The Hammers Sisters (Becky and Edna Hammer handwritten on postcard), Xylophonists,
Vaudeville Act,
1920′s. RPPC (real photo post-card) / via lushlight
images that haunt us

The Hammers Sisters (Becky and Edna Hammer handwritten on postcard), Xylophonists,
Vaudeville Act,
1920′s. RPPC (real photo post-card) / via lushlight

Ruth and Ella Myles aka Beauty Poses, British Pathé, 1935 / src of GIF: gypsyastronaut
Various shots of acrobats Ruth and Ella Myles performing graceful balances and contortions in the studio. They are both extremely supple! Both wear white swimsuits with black belts and tie and the neck. Their final feat involves one girl doing a back bend and staying in that crab position while the other stands on her pelvis and does a back bend there!
more information and full video, at British Pathé also in YouTube

Thomas Longworth-Cooper :: Anita Heyworth as The Sun from ‘Peter and Ann’s Journey to the Moon’, at Christmas 1933 at the Prince’s Theatre, Manchester.


Chaja Goldstein was born in a Polish ghetto, in the town of Rypin in 1908. […] When she was ten years old, Chaja moved to Berlin with her Orthodox parents, brother Eli and baby sister Sally, fleeing the pogroms in Eastern Europe.
She made her debut in Berlin in 1931 as Hanna Goldstein with dances such as Der reiche und der arme Jude and the Hebräische Lied. The Berliner Tageblatt praised her performances. Shortly afterwards she also performed in the Kaftan, a small Jewish theater on Kurfürstendamm, where she sang Yiddish songs. Over the next few years Goldstein grew into a famous dancer and singer, connecting the Yiddish folk culture of her childhood with modern Western culture. She soon led a lavish life in Berlin’s artistic avant-garde circles. She lived with the Hungarian painter György Kepes (1906-2001) and had a love affair with the Dutch artist Wijnand Grays (1906-1995).
In 1933, Chaja Goldstein fled to the Netherlands as a result of the rise of the Nazi party. In April 1933 she appeared for the first time under the name ‘Chaja Goldstein’ on the stage of the Amsterdam Conservatory and the Rotterdam Studio 32, with her Yiddish dances and songs. [quoted from Huygens Instituut]

Wayne F. Miller :: from the collection ‘Chicago’s South Side’, 1946-1948
more [+] by this photographer

Richard Rutledge
:: Carolyn Brown and Viola Farber, of Merce Cunningham Dance Company, perform “Summerspace,” in 1958 [Set and costume design by Robert Rauschenberg] / src: The New Yorker
more [+] by this photographer
/
more [+] by this photographer in color
Woman jumping rope on a tiny platform hundreds of feet above ground, Chicago, 1955
Jumper salutes from a tiny platform hundreds of feet above ground, Chicago, 1955

Guy Le Querrec :: Miles Davis at Salle Pleyel concert hall, Paris, 1969 / src: The New Yorker
more [+] by this photographer
/ more Miles Davis’ posts
“Do not fear mistakes. There are none.” Miles Davis