

“Routed from its retreat among leaves and Spanish moss, this little screech owl sits blinking in the sun. Many persons formerly believed his species harmless to other birds, but investigation proved that it is destructive to several small kinds.”

images that haunt us


“Routed from its retreat among leaves and Spanish moss, this little screech owl sits blinking in the sun. Many persons formerly believed his species harmless to other birds, but investigation proved that it is destructive to several small kinds.”







Fini’s owl mask originates with the New Year’s Eve party called the Bal des Oiseaux given at the Palais Rose on the avenue Foch, Paris, by Vicomte Charles Benoist d’Azy at the end of 1948. Webb writes, “she wore an owl mask of white feathers with headdress and gown of black-and-green-striped feathers. A series of dramatic photographs of her in this costume, as well as in the costumes for other balls of 1947 and 1948, were taken by Andre Ostier and widely published in newspapers and magazines, and Pauline Reage used the same mask in the final scene of her erotic novel Histoire d’O (Story of O), which was later illustrated by Leonor.”
Quotation from Peter Webb’s biography: Sphinx – The Life and Art of Leonor Fini
Retrieved from Story of O


Anthony Perkins for Psycho directed by Alfred Hitchcock, 1960 (Paramount Pictures)

Keith Carter :: Barn Owl, 1998. Gelatin silver print / source: howardgreenberg
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