Erté · Scheherazade Suite

Romain de Tirtoff (Erté, 1892-1990) :: Scheherazade – La Nuit. Lithograph depicting a beauty in Middle Eastern garb. | src liveauctioneers
Romain de Tirtoff (Erté, 1892-1990) :: Scheherazade; La Favorite du Calife (Calyph’s Favourite), lithograph depicting a beauty in Middle Eastern garb. | src liveauctioneers
Romain de Tirtoff (Erté, 1892-1990) :: “Scheherazade – 8 “La Nuit Winter Garden NY”, 1924 (Gouache). | src liveauctioneers
Romain de Tirtoff (Erté, 1892-1990) :: “A Beauty of Bagdad”, from Scheherazade series (nº7). | src Kodner Auctions
Romain de Tirtoff (Erté, 1892-1990) :: “Scheherazade. Thousand and One Nights”, from the Scheherazade Suite. | src Ro Gallery
Romain de Tirtoff (Erté, 1892-1990) :: Harem Dancer (Calyph’s Concubine), from the Scheherazade Suite, ca. 1980. Lithograph. | src Doyle
Romain de Tirtoff (Erté, 1892-1990) :: Almee (Harem dancer), from the Scheherazade Suite, ca. 1980. | src Martin Lawrence Galleries
Romain de Tirtoff (Erté, 1892-1990) :: [Scheherazade suite: A Thousand and One Nights], [ca. 1979] | src Freeman’s
Romain de Tirtoff (Erté, 1892-1990) :: [Scheherazade suite:A Thousand and Second Night], [ca. 1979] | src Freeman’s

Danseurs orientaux par Erté

Romain de Tirtoff (1892-1990) :: « Danseurs orientaux », vers 1912. Encre, aquarelle et rehauts d'or. (Ader) | src MAD ~ Musée des Arts Décoratifs
Romain de Tirtoff (1892-1990) :: « Danseurs orientaux », vers 1912. Encre, aquarelle et rehauts d’or. (Ader) | src MAD ~ Musée des Arts Décoratifs

Orientalism in Autochrome (3)

Henry-René d’Allemagne (1863-1950) et divers :: Jeune femme portant des vêtements et des bijoux persans, ca. 1910. Autochrome. | Ader
Henry-René d’Allemagne (1863-1950) et divers :: Jeune femme portant des vêtements et des bijoux persans, ca. 1910. Autochrome. | Ader
Henry-René d’Allemagne (1863-1950) et divers :: Jeune femme portant des vêtements et des bijoux persans, ca. 1910. Autochrome. | Ader
Henry-René d’Allemagne (1863-1950) et divers :: Jeune femme portant des vêtements et des bijoux persans, ca. 1910. Autochrome. | Ader
Henry-René d’Allemagne (1863-1950) et divers :: Jeune femme portant des vêtements et des bijoux persans, ca. 1910. Autochrome. | Ader

Both Autochromes are from:

Orientalism in autochrome (2)

Henry-René d’Allemagne (1863-1950) et divers :: Jeune femme portant des vêtements et des bijoux persans, ca. 1910. Autochrome. | Ader
Henry-René d’Allemagne (1863-1950) et divers :: Jeune femme portant des vêtements et des bijoux persans, ca. 1910. Autochrome. | Ader
Henry-René d’Allemagne (1863-1950) et divers :: Jeune femme portant des vêtements et des bijoux persans, ca. 1910. Autochrome. | Ader
Henry-René d’Allemagne (1863-1950) et divers :: Jeune femme portant des vêtements et des bijoux persans, ca. 1910. Autochrome. | Ader
Henry-René d’Allemagne (1863-1950) et divers :: Jeune femme portant des vêtements et des bijoux persans, ca. 1910. Autochrome. | Ader
Henry-René d’Allemagne (1863-1950) et divers :: Jeune femme portant des vêtements et des bijoux persans, ca. 1910. Autochrome. | Ader
Henry-René d’Allemagne (1863-1950) et divers :: Jeune femme portant des vêtements et des bijoux persans, ca. 1910. Autochrome. | Ader
Henry-René d’Allemagne (1863-1950) et divers :: Jeune femme portant des vêtements et des bijoux persans, ca. 1910. Autochrome. | Ader

All Autochromes are from Ader maison de ventes: Photographies a l’occassion de Paris Photo 2022. Lot 101 & Lot 102

Orientalism in Autochrome (1)

Henry-René d’Allemagne (1863-1950) et divers :: Jeune femme au narguilé, ca. 1910. Autochrome. | src Ader
Henry-René d’Allemagne (1863-1950) et divers :: Jeune femme au narguilé, ca. 1910. Autochrome. | src Ader
Henry-René d’Allemagne (1863-1950) et divers :: Jeunes femmes portant des vêtements et des bijoux persans, ca. 1910 Autochrome.
Henry-René d’Allemagne (1863-1950) et divers :: Jeunes femmes portant des vêtements et des bijoux persans, ca. 1910 Autochrome.
Henry-René d’Allemagne (1863-1950) et divers :: Couple portant des vêtements et des bijoux persans, ca. 1910. Autochrome.
Henry-René d’Allemagne (1863-1950) et divers :: Couple portant des vêtements et des bijoux persans, ca. 1910. Autochrome.
Henry-René d’Allemagne (1863-1950) et divers :: Jeunes femmes portant des vêtements et des bijoux persans, ca. 1910 Autochrome.
Henry-René d’Allemagne (1863-1950) et divers :: Jeunes femmes portant des vêtements et des bijoux persans, ca. 1910 Autochrome.

Source of all set of Autochromes: Photographies – A l’occassion de Paris Photo 2022 @ Ader, Maison de ventes

View of India. Udaipur, 1923

Jules Gervais Courtellemont :: View of the Palace of Maharaja’s pond from the Island of the Sultans in Udaipur, India, 1923. | src National Geographic
Jules Gervais Courtellemont :: View of the Palace of Maharaja’s pond from the Island of the Sultans in Udaipur, India, 1923. | src National Geographic
Jules Gervais Courtellemont :: View of the Palace of Maharaja’s pond from the Island of the Sultans in Udaipur, India, 1923. | src National Geographic

Salome by Anny Heimann

salome, anny heimann, 1900s
Anny Heimann, Berlin :: Salome. From: „Die Kunst in der Photographie", 1908
Anny Heimann, Berlin :: Salome. From: „Die Kunst in der Photographie”, 1908
Anny Heimann, Berlin :: Salome. From: „Die Kunst in der Photographie", 1908
Anny Heimann, Berlin :: Salome. From: „Die Kunst in der Photographie”, 1908

Geesje Kwak in Japanese kimono

George H. Breitner :: [Geesje Kwak in Japanese kimono] [Geesje Kwak in Japanse kimono], 1889-1895. Universitaire Bibliotheken Leiden
George H. Breitner :: [Geesje Kwak in Japanese kimono in front of a folding screen] [Geesje Kwak in Japanse kimono voor kamerscherm], 1889-1913. Universitaire Bibliotheken Leiden
George H. Breitner :: [Geesje Kwak in Japanese kimono in front of a folding screen] [Geesje Kwak in Japanse kimono voor kamerscherm], 1889-1913. Universitaire Bibliotheken Leiden
George H. Breitner :: [Geesje Kwak in Japanese kimono in front of a folding screen] [Geesje Kwak in Japanse kimono voor kamerscherm], 1889-1913. Universitaire Bibliotheken Leiden [full size]
George H. Breitner :: [Geesje Kwak in Japanese kimono in front of a folding screen] [Geesje Kwak in Japanse kimono voor kamerscherm], 1889-1913. Universitaire Bibliotheken Leiden
George H. Breitner :: [Geesje Kwak in Japanese kimono] [Geesje Kwak in Japanse kimono], 1889-1895. Universitaire Bibliotheken Leiden
George H. Breitner :: [Geesje Kwak in Japanese kimono] [Geesje Kwak in Japanse kimono], 1889-1895. Universitaire Bibliotheken Leiden
George H. Breitner :: [Geesje Kwak in Japanese kimono] [Geesje Kwak in Japanse kimono], 1889-1895. Universitaire Bibliotheken Leiden [full size]
George H. Breitner :: [Geesje Kwak in Japanese kimono] [Geesje Kwak in Japanse kimono], 1889-1895. Universitaire Bibliotheken Leiden [full size]
George H. Breitner :: [Geesje Kwak in profile to the left] [Geesje Kwak, en-profil naar links], 1889-1913. Universitaire Bibliotheken Leiden
George H. Breitner :: [Geesje Kwak in profile to the left] [Geesje Kwak, en-profil naar links], 1889-1913. Universitaire Bibliotheken Leiden

Geesje Kwak in a kimono, 1893

George Hendrik Breitner :: Girl (Geesje Kwak) in a kimono in Breitner's studio on Lauriergracht, Amsterdam, 1893. Gelatin silver print. RKD Netherlands Institute for Art History The Hague    
used as model for George Hendrik Breitner's Meisje in kimono
George Hendrik Breitner :: Girl (Geesje Kwak) in a kimono in Breitner’s studio on Lauriergracht nr. 8, Amsterdam, 1893. Gelatin silver print. RKD Netherlands Institute for Art History The Hague
used as model for George Hendrik Breitner’s Meisje in kimono
George Hendrik Breitner :: Girl (Geesje Kwak) in a kimono (and cat) in Breitner's studio on Lauriergracht nr. 8, Amsterdam, 1893. Gelatin silver print. RKD Netherlands Institute for Art History The Hague
George Hendrik Breitner :: Girl (Geesje Kwak) in a kimono (and cat) in Breitner’s studio on Lauriergracht nr. 8, Amsterdam, 1893. Gelatin silver print. RKD Netherlands Institute for Art History The Hague

Geesje Kwak in Kimono, 1893-96

George Hendrik Breitner :: Girl in a White Kimono | Een meisje gekleed in een kimono, achterover liggend op een bank. Waarschijnlijk het model Geesje Kwak. | date: 1894. Oil on canvas. | src Rijksmuseum
George Hendrik Breitner :: Girl in a White Kimono | Meisje in witte kimono. Een meisje gekleed in een kimono, achterover liggend op een bank. Waarschijnlijk het model Geesje Kwak. | date: 1894. Oil on canvas. | src Rijksmuseum

Inspired by Japanese prints, between 1893 and 1896 Breitner made thirteen paintings of a girl in a kimono. She assumes different poses and the kimono often has a different colour. What catches the eye here is the embroidered, white silk kimono with red-trimmed sleeves and an orange sash. The dreamy girl is sixteen-year-old Geesje Kwak, a seamstress and one of Breitner’s regular models. [quoted from Rijksmuseum]

George Hendrik Breitner :: Girl in a red kimono (Geesje Kwak) | Meisje in rode kimono, rechts gedraaid; oil on canvas, ca. 1893. | src Kunstmuseum Den Haag
George Hendrik Breitner :: Girl in a red kimono (Geesje Kwak) | Meisje in rode kimono, rechts gedraaid; oil on canvas, ca. 1893. | src Kunstmuseum Den Haag

The Girl in a Kimono series was not a success with critics initially, but today they are considered the pinnacle of the Dutch expression of Japonisme in the fine arts. The Rijksmuseum celebrated the series in 2016 with an exhibition that brought together all of the Girl in a Kimono paintings: “Breitner: meisje in kimono”.

George Hendrik Breitner :: Girl in a red kimono (Geesje Kwak) | Meisje in rode kimono, liggend; oil on canvas, ca. 1896. Stedelijk Museum Amsterdam
George Hendrik Breitner :: Girl in a red kimono (Geesje Kwak) | Meisje in rode kimono, liggend; oil on canvas, ca. 1896. Stedelijk Museum Amsterdam
George Hendrik Breitner :: Girl in a red kimono (Geesje Kwak) | Meisje in rode kimono, links gedraaid; oil on canvas, ca. 1893. | src Beverly A. Mitchell
George Hendrik Breitner :: Girl in a red kimono (Geesje Kwak) | Meisje in rode kimono, links gedraaid; oil on canvas, ca. 1893. | src Beverly A. Mitchell

After the reopening of Japan to foreign trade in the 1850s and 1860s, European artists like Claude Monet, James McNeill Whistler and Vincent van Gogh were influenced by Japanese fine and decorative arts. One of Van Gogh’s friends and compatriots, George Hendrik Breitner, was inspired by the Japonisme trend to create a series of 13 paintings of a young girl wearing a kimono.

Breitner was born in Rotterdam in 1857. For the decade between 1876 and 1886 he studied and worked in The Hague where he explored working class areas of the city, sketching the people and places he encountered. He embraced the social realism movement and considered himself le peintre du peuple, the painter of the people. He moved to Amsterdam in 1886 where he was soon able to add photography to drawing and painting. Breitner took pictures of street life, people at work and going about their business in the city, some of the photographs reminiscent of the kind of work Jacob Riis was doing in the crowded and scary tenements of New York City at the same time.

Breitner was one of the first artists to use photos as studies for specific paintings, not just of street scenes but in the studio as well. He integrated his social realist perspective in his studio portraits, making a point of employing models from the working class. One of them was a milliner’s shopgirl named Geesje Kwak who, along with her sister Anna, posed for Breitner in around 1893-1895 when she was 16-18 years old. It was Geesje Kwak who would be immortalized as the girl in a kimono.

Japonisme had intrigued Breitner since he’d traveled to Paris in 1884. He collected Japanese woodcuts and in 1892 visited an exhibition of Japanese prints in The Hague. The show was his immediate inspiration for the kimono series. He acquired several Japanese kimonos and a pair of folding screens that he set up in his studio on the Lauriergracht canal. Geesje Kwak posed in the kimonos — one red, one white, one blue — against the backdrop of the folding screens on a bed draped in oriental rugs. She was paid for her time and there was no hanky panky going on; all strictly professional. Breitner kept meticulous records of which models posed for him when, for how long and at what rate.

Breitner’s work with Geesje Kwak ended when she emigrated to South Africa with her younger sister Niesje in 1895. Geesje died of tuberculosis in Pretoria in 1899, just shy of her 22nd birthday. quoted from The History Blog