
American actress Winifred Elaine “Wynne” Gibson in feathered dress, 1930s | src and hi-res Dr Macro
images that haunt us

American actress Winifred Elaine “Wynne” Gibson in feathered dress, 1930s | src and hi-res Dr Macro

Constance Bennett, 1935, photo by George Hurrell
“One of a trio of sisters who first brightened movie screens during the tail end of the silent era, Constance Bennett was considered to be the most beautiful of the Bennett siblings. The eldest of the girls, Constance was followed by Barbara, who had the shortest career, and Joan, who was the most successful, but she was the first to really make her mark in Hollywood… While not among the most gifted actresses of her generation, Bennett was an able comedienne and more than competent when it came to the sort of dramatic plotlines she was assigned. Additionally, she was simply stunning to look at with her trademark slim figure and eye-catching blonde pageboy… Although sibling Joan ultimately had the longer and brighter career, Constance Bennett made the most of her time in the upper echelon of Hollywood and still impressed viewers decades later with her seemingly effortless beauty and sophistication.“ – John Charles, TCM

American actress
Winifred Elaine “Wynne” Gibson reading, 1933

Portrait of Jetta Goudal for Business and Pleasure (1932)

Dutch-born silent era actress and femme fatale Jetta Goudal. ca. 1919 [by Pach Bros Studio]

Buster Keaton and Dorothy Sebastian in Spite Marriage (1929) | src and hi res Dr Macro

Anita Page, Joan Crawford and Dorothy Sebastian in
Our Dancing Daughters (1928) | src and hi-res Dr Macro

Dorothy Sebastian in Sackcloth and Scarlet (Henry King, 1925) | src and hi-res Dr Macro
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