Mario Cresci

:: 
Inside views / Interiors, 1967-1978 / via
realityayslum

“1967 was the year of the first Ritratti mossi (a study resumed
later in 1974), figures in interiors whose faces are blurry in a moved
photo. While objects and places are in focus and are therefore visible,
the people are out of focus: newcomer Cresci tries to tell a story of
their identity through the physical data of the environment.

[…]

Between 1978 and 1979, he produced a series of portraits in Barbarano
Romano, returning to the idea of cancelling the appearance of people
through the blur effect. He also included himself among them.”

quoted from original source: mufoco.org