Fotografo sconosciuto, Studio plastico all’aria aperta, prima metà degli anni venti. Stampa originale. [Unknown photographer. Plastic study in open air, first half of the 1920s. Original print.] | src Nicoletta Misler: L’Arte del Movimento in Russia 1920-1930
A. Sidorov, Experiment in dramatization in the Egyptian Rooms of the Museum of Fine Arts, Moscow (now the State Pushkin Museum of Fine Arts). Reconstruction by V. Avdiev for the Cabinet of the Eastern Theatre of the Institute of the Peoples of the East Choreography by N. Leont’ev. Catalogue of the third “Art of Movement” exhibition, 1927, within Nos. 102-24. Three photographic prints. Private collection | src Nicoletta Misler’s The Russian Art of Movement 1920-1930
A. Sidorov, Experiment in dramatization in the Egyptian Rooms of the Museum of Fine Arts, Moscow (now the State Pushkin Museum of Fine Arts). Reconstruction by V. Avdiev for the Cabinet of the Eastern Theatre of the Institute of the Peoples of the East Choreography by N. Leont’ev. Catalogue of the third “Art of Movement” exhibition, 1927, within Nos. 102-24.
Photographer unknown, Stationary pose on the elbows, late 1920s. Manual for a course in artistic acrobatics. Art of Movement State Courses (of Valeriia Tsvetaeva). VTs V. Tsvetaeva, Stationary pose on elbows, late 1920s. Art of Movement State Courses (of Valeriia Tsvetaeva) for the Department of Circus and Variety Theatre at MGTT. Pencil on paper, initialled: “V. Ts.” src Nicoletta Misler’s The Russian Art of Movement 1920-1930
Photographer unknown. Three studies for the ‘Role of Gesture in a Defined Pose’. One of the assigned research themes at the Choreological Laboratory for 1924-26. | src Nicoletta Misler’s The Russian Art of MovementPhotographer unknown. Three studies for the ‘Role of Gesture in a Defined Pose’. One of the assigned research themes at the Choreological Laboratory for 1924-26. | src Nicoletta Misler’s The Russian Art of MovementPhotographer unknown. Three studies for the ‘Role of Gesture in a Defined Pose’. One of the assigned research themes at the Choreological Laboratory for 1924-26. | src Nicoletta Misler’s The Russian Art of Movement
Nicoletta Misler: The Russian Art of Movement 1920-1930 Umberto Allemandi & Co. (January 2018) One of the many mages from the book that represent the role of movement in dance, in gymnastics, in Russian Avant-garde. The book is the result of research that began in the late 1970s and culminated in the 2011 publication in Moscow of V Natsjale Bilo Telo (In the Beginning was the Body), on the 1920s experiments in movement in the Soviet Union. | src Allemandi