Of Platypus and other species

Henry James Burrell (1873-1945) ~ Young Platypus, ca. 1914. Glass negative | src Australian museum
Henry James Burrell (1873-1945) ~ Young Platypus, ca. 1914. Glass negative | src Australian museum blog
Henry James Burrell (1873-1945) ~ Young Platypus, ca. 1914. Glass negative | src Australian museum

Harry J. Burrell developed an interest in natural history after he settled in Manilla, northern NSW with his wife Susan Emily Naegueli in 1901. As a naturalist, Burrell is most famous for being the first person to successfully keep platypuses in captivity. To do this he invented the ‘platypusary’, a storage tank which enabled him to both study and exhibit live platypuses. The platypusary was used for the first time in 1910 to show live platypuses at the Moore Park Zoo in Sydney. In 1922 he assisted Ellis Stanley Joseph with successfully transporting the first ever live platypus beyond Australian shores. The sole surviving platypus of the original 5 platypuses’ arduous journey died within a few weeks of being exhibited at the Bronx Zoo, New York.

Henry James Burrell (1873-1945) ~ Echidna rolled up. Glass negative | src Australian museum
Henry James Burrell (1873-1945) ~ Green snake eating a frog. Glass negative | src Australian museum

Nature photography (1939)

Cecropia (male and female) · Cecropia moths on end of stick. Acadia National Park, Maine, 22 March, 1939 | src NPG
Cecropia moth on end of stick. Acadia National Park, Maine, 22 March, 1939 | src National Park gallery
Reflection of Pemetic Mt. in Eagle lake. Acadia National Park, Maine, 5 June, 1939 | src National Park gallery
Kingfisher · Bird on stick. Acadia National Park, Maine, 18 July, 1939 | src National Parks gallery
Buttercup, close-up (five pedaled flower). Acadia National Park, Maine, 13 June, 1939 | src National Parks gallery

Icelandic Tideline

Michael A. Smith ~ Jokulsarlon, Iceland, 2004; from Tideline | src Seagrave gallery
Paula Chamlee ~ Cloud, Jokulsarlon, Iceland, 2006. From Tideline | src Seagrave gallery
Paula Chamlee ~ Reydarfjordur, Iceland, 2004; from Tideline | src Seagrave gallery

Table Rock · Cave of the Winds

George Barker (1844-1894) ~ [Niagara Falls], ca. 1888. Albumen silver print. View of Niagara Falls taken from the base of the falls, with large boulder in foreground and footbridge in the background. | src Getty Museum Coll.
George Barker (1844-1894) ~ Cave of the winds, ca. 1888. Niagara Falls with walkway in the foreground. Albumen silver print. | src Library of Congress

This Image is hosted in four American museums; three of them (Library of Congress, Getty Museum and The Metropolitan Museum of Art) acknowledge the authorship to George Barker. According to The Nelson-Atkins Museum of Art [x] this photograph is Nielson’s. In their website there is a mention to the photographer’s logo on back: “H.F. Nielson, Manuf. of all kinds of / Paper & Glass Views / Niagara Falls.”

Though the commercial market for large-scale landscape views was limited in the late 19th century, a small group of talented and savvy photographers found a lucrative niche in this genre. Herman F. Nielson, who lived most of his life in Niagara, New York, specialized in majestic tourist views of Niagara Falls. Here, Nielson depicts the American Falls (Luna Falls and Bridal Veil Falls) and the Rock of Ages. This view, or a slight variant, was reproduced in a popular guidebook at the time.

“New View Manufactory,” Niagara Falls Gazette 30:16 (October 10, 1883): n.p.

quoted from The Nelson-Atkins Museum of Art [x]

George Barker (1844-1894) ~ Niagara Falls, ca. 1888 Albumen silver print from glass negative | src The Met
George Barker (1844-1894) ~ Cave of the winds, ca. 1888. Image of rushing waterfalls leading down to a bridge with large rocks in the foreground. | Library of Congress
George Barker (1844-1894) ~ Ruins of Table Rock, ca. 1870. Stereograph. Albumen print on stereo card. | Library of Congress
Stereograph showing a portion of Table Rock that has fallen off the cliff, with Niagara Falls in the background. | Library of Congress

Les Fleurs par Gustave Gain

Gustave Gain ~ Un lys en fleur, 1910-1940. Plaque de verre autochrome. | src Archives de la Manche
Gustave Gain ~ Un lys en fleur, 1910-1940. Plaque de verre autochrome. | src Archives de la Manche
Gustave Gain ~ Une plante à fleurs orangées, 1910-1940. Plaque de verre autochrome. | src Archives de la Manche
Gustave Gain ~ Une plante à fleurs orangées, 1910-1940. Plaque de verre autochrome. | src Archives de la Manche
Gustave Gain ~ Une plante à fleurs bleues, 1910-1940. Plaque de verre autochrome. | src Archives de la Manche
Gustave Gain ~ Une plante à fleurs bleues, 1910-1940. Plaque de verre autochrome. | src Archives de la Manche

Adams Dogwood Blossoms

Ansel Adams (1902 – 1984) :: Plate XI: Dogwood Blossoms, 1938. Portfolio III: Yosemite Valley. San Francisco: Sierra Club, 1960. 16 gelatin silver prints; each signed. | src Christie’s
Ansel Adams (1902 – 1984) :: ‘Dogwood Blossoms, Yosemite’, ferrotyped gelatin silver print, mounted, signed in pencil on the mount, titled on the reverse, circa 1938, probably printed later. | src Sotheby’s
Ansel Adams (1902 – 1984) :: ‘Dogwood Blossoms, Yosemite’, ferrotyped gelatin silver print, ca. 1938 | src Sotheby’s

Renger-Patzsch : die Baüme

Albert Renger-Patzsch :: Das Bäumchen [The young tree], 1928. Berinson Gallery, Berlin. | src British Journal of Photography
Albert Renger-Patzsch :: The Little Tree [The Sapling], 1929. Gelatin silver print. | src MoMA
Albert Renger-Patzsch :: Buchenwald [Beech forest], 1936. | src British Journal of Photography
Albert Renger-Patzsch :: Gebirgsforst (forêt de montagne) im Winter, 1926. Gelatin silver print. | src Christie’s

St. Moritzersee von Steiner

Albert Steiner (1877-1965) :: November morning at Lake St. Moritz. Gelatin silver print. | src Dobiaschofsky Auktionen
Albert Steiner (1877-1965) :: Novembermorgen am St. Moritzersee. Silbergelatineabzug. | src Dobiaschofsky Auktionen
Albert Steiner (1877-1965) :: Novembermorgen am St. Moritzersee. Silbergelatineabzug. | src Dobiaschofsky Auktionen
Albert Steiner (1877-1965) :: November morning at Lake St. Moritz. Gelatin silver print. | src Dobiaschofsky Auktionen