Doña Juana (1928)

Juana im Kampf mit ihrem Spiegelbild im Teich [Doña Juana, 1928] UHU 4.1927-28, H.3 Elisabeth Bergner in Dona Juana, 1928
Juana im Kampf mit ihrem Spiegelbild im Teich [Doña Juana, 1928]. UHU Magazin, Band 4, H.3, Dezember 1927
Juana im Kampf mit ihrem Spiegelbild im Teich [Doña Juana, 1928] UHU 4.1927-28, H.3 Elisabeth Bergner in Dona Juana, 1928
Juana fighting her reflection in the pond [Doña Juana, 1928]. UHU Magazin, Band 4, H.3, Dezember 1927
In Erwartung des Geliebten In anticipation of the beloved UHU 4.1927-28, H.3 Elisabeth Bergner in Dona Juana, 1928
In anticipation of the beloved [Doña Juana, 1928]. UHU Magazin, Band 4, H.3, Dezember 1927
In Erwartung des Geliebten UHU 4.1927-28, H.3 Elisabeth Bergner in Dona Juana, 1928
In Erwartung des Geliebten / In anticipation of the loved one [Doña Juana, 1928]. UHU Magazin, Band 4, H.3, Dezember 1927
Elisabeth Bergner als Spanierin UHU 4.1927-28, H.3 Elisabeth Bergner als Spanierin
Elisabeth Bergner als Spanierin [Doña Juana, 1928]. UHU Magazin, Band 4, H.3, Dezember 1927
Elisabeth Bergner als Spanierin UHU 4.1927-28, H.3 Elisabeth Bergner als Spanierin
Elisabeth Bergner as a Spanish woman [Doña Juana, 1928]. UHU Magazin, Band 4, H.3, Dezember 1927

All images from UHU Magazin: Mit Elisabeth Bergner in Spanien by Paul Czinner, a detailed review of Béla Balázs film Doña Juana, starring Elisabeth Bergner. Aufnahmen: Poetic-Film (phot. Ewald)

Shells and design, late 1970s

Karel Vaca :: Dívka s Mušlí (Girl with a shell), 1980. Vintage movie poster, offset print. Movie directed by Jiří Svoboda. | src Zezula
Karel Vaca (1919-1989) :: Dívka s Mušlí (Girl with a shell), 1980. Vintage movie poster, offset print. Movie directed by Jiří Svoboda. | src Zezula
Cymatium spengleri Perry. From "The shell: five hundred million years of inspired design" by Hugh Stix and Marguerite Stix, 1979. | src equator on IG
Cymatium spengleri Perry. From “The shell: five hundred million years of inspired design” by Hugh Stix and Marguerite Stix, 1979. | src equator on IG

Leni Riefenstahl in Das blaue Licht

Leni Riefenstahl in Das blaue Licht – Eine Berglegende aus den Dolomiten (La lumière bleue, The Blue Light), 1932. Regie: Leni Riefenstahl und Béla Balázs. Uncredited set photographer. | src Ader

Bebe Daniels in Affairs of Anatol

1920s
Karl Struss (1886-1981) :: Bebe Daniels in elaborate robe, 1921 [production still from “Affairs of Anatol”], 1921. | src Amon Carter Museum
Karl Struss :: [Bebe Daniels sitting on floor by telephone, "Affairs of Anatol"], 1921. Gelatin silver print. | src Amon Carter Museum
Karl Struss :: [Bebe Daniels sitting on floor by telephone in “Affairs of Anatol”], 1921. Gelatin silver print. | src Amon Carter Museum
Karl Struss :: Bebe Daniels [production stills from the movie “Affairs of Anatol”], 1921. Gelatin silver print. | src Amon Carter Museum

Dorothy Dalton in hat, 1920

Karl Struss (1886-1981) :: [Dorothy Dalton in hat, “Fool’s Paradise”]; 1920. Gelatin silver print. | src Amon Carter Museum of American Art, Karl Struss Collection

“We are spirits of another sort”

Victor Jory as Oberon: “We are spirits of another sort.” (III.ii.388)
Oberon, King of the Fairies, rules the Fairy Kingdom. A Midsummer Night’s Dream (Warner Brothers, 1935), directed by William Dieterle and Max Reinhardt. Photographer: Hans Fred Konekamp. Still photographer: Mickey Marigold. | src Cleveland State University