Tag: modern dance

Wigman · Der Weg · 1932

Szene aus der Tanz – Pantomime “Der Weg” von Mary Wigman, 1932 | Scene from the dance pantomime “The Way” by Mary Wigman, 1932 | src getty images
A scene from the pantomime dance «Der Weg», choreographed by Mary Wigman in 1932 and photographed by the sculptor Herbert Volwahsen (1906-1988) | src Galerie Bassenge Auktion 123

Mary Wigman in a dance scene, 1936

Tänzerin, Tanzpaedagogin und Choreografin Mary Wigman (Eigentlich Marie Wiegmann). Ganzkoerperaufnahme, in einer Tanzszene, 1936. | Dancer, dance teacher ad choreographer Mary Wigman (b. Marie Wiegmann). Full body shot, in a dance scene [scene maybe Pastorale from Shifting Landscape, 1929], 1936. | src and hi-res Getty Images

Mary Wigman in Visionen

Charlotte Rudolph ~ Mary Wigman. Distinguished European danseuse at Chanin Theater, 28.12.1931(?) | src getty images
Charlotte Rudolph ~ Tänzerin, Tanzpaedagogin und Choreografin Mary Wigman in dem Tanz ‘Visionen’, 1928 | src getty images
Charlotte Rudolph ~ Mary Wigman, in dem Tanz ‘Visionen’, 1928 | scanned by ourpastdreams

Scanned from: Paroles de corps (la chorégraphie au XXe siècle) Thierry Villa, Ed. du Chêne, 1998

Schicksalslied und Hexentanz

Tänzerin, Tanzpaedagogin und Choreografin Mary Wigman (b. Marie Wiegmann). Ganzkoerperaufnahme (full body shot), im “Hexentanz” (Witch dance), 1934. Ullstein Bild. | src Getty Images
Charlotte Rudolph :: Die Tänzerin und Choreographin Mary Wigman in ‘Schicksalslied’ aus Tanzgesänge, undatiert | src Deutsche Fotothek

Itta Penzo in the role of Taiakh

N. Vlas’evsky :: Itta Penzo in the role of Taiakh in the ballet Joseph the Beautiful, 1926. Artist’s photographic print, signed: “Vlas’evsky”. Music by S. Vasilenko, designs by B. Erdman and choreography by K. Goleizovsky for the Odessa Theatre of Opera and Ballet, Catalogue of the second “Art of Movement” exhibition, 1926. | src Nicoletta Misler's “The Russian Art of Movement 1920-1930”
N. Vlas’evsky ~ Itta Penzo in the role of Taiakh in the ballet Joseph the Beautiful, 1926. Artist’s photographic print, signed: “Vlas’evsky”. Music by S. Vasilenko, designs by B. Erdman and choreography by K. Goleizovsky for the Odessa Theatre of Opera and Ballet, Catalogue of the second “Art of Movement” exhibition, 1926 | src Nicoletta Misler’s “The Russian Art of Movement 1920-1930”
N. Vlas'evsky :: Itta Penzo. Bridge on demi-point, 1926. © Collection Otton Engel’s repository, Moscow. Original photographic print, signed: “Vlas’evsky”. Catalogue of the second “Art of Movement” exhibition, 1926. | src Het Nieuwe Instituut: Space Embodied. The Russian Art of Movement 1920-1930
N. Vlas’evsky ~ Itta Penzo. Bridge on demi-point, 1926. © Collection Otton Engel’s repository, Moscow. Original photographic print, signed: “Vlas’evsky”. Catalogue of the second “Art of Movement” exhibition, 1926. | src Space Embodied. The Russian Art of Movement 1920-1930 at Het Nieuwe Instituut

«Engel des Schweigens», 1953

Siegfried Enkelmann :: Harald Kreutzberg in «Engel des Schweigens» (Angel of Silence), 1953. Vintage gelatin silver print. | src eBay