John Kauffmann :: Design for a frieze, aka Ti-trees, 1910-1920. Gelatin silver photograph, paper negative (and positive below), retouched with pencil. | src Art Gallery NSW
Junon et Pallas. Danseuses Yvonne Franck (à gauche, Pallas) et Yvonne Daunt (à droite, Junon), dans “Ascanio” à l’Opéra de Paris. Chorégraphie de Léo Staats. Novembre 1921. Négatif sur verre. | src Agence photographique RolJunon et Pallas. Danseuses Yvonne Franck (à gauche, Pallas) et Yvonne Daunt (à droite, Junon), dans “Ascanio” à l’Opéra de Paris. Chorégraphie de Léo Staats. Novembre 1921. Négatif sur verre. [Full image] | src Agence photographique Rol
Nicoletta Misler: The Russian Art of Movement 1920-1930 Umberto Allemandi & Co. (January 2018) One of the many mages from the book that represent the role of movement in dance, in gymnastics, in Russian Avant-garde. The book is the result of research that began in the late 1970s and culminated in the 2011 publication in Moscow of V Natsjale Bilo Telo (In the Beginning was the Body), on the 1920s experiments in movement in the Soviet Union. | src Allemandi
Atelier Martin Badekow :: Dancer Jenny Steiner dancing with a puppet (“Steiner Sisters”) in a revue by Rudolf Nelson, 1927. Published in nº 42/1927. Ullstein Bild | src Getty Images