The Mask, 1920s

Arnold Genthe :: The Mask, 1920s. My guess: this seems to be part of a series taken on 1925 with different subjects wearing masks made by W.T. Benda, most of them available at L. of Congress. | src eyeeye.me

Die rote Maske, ca. 1927

Karl Hahn :: Die rote Maske. Jugend: Münchner illustrierte Wochenschrift für Kunst und Leben, 1927, Band 1-2 (Nr. 1-54) | src Universitätsbibliothek Heidelberg
Karl Hahn :: Die rote Maske. Jugend: Münchner illustrierte Wochenschrift für Kunst und Leben, 1927, Band 1-2 (Nr. 1-54) | src Universitätsbibliothek Heidelberg
Karl Hahn :: Die rote Maske. Jugend: Münchner illustrierte Wochenschrift für Kunst und Leben, 1927, Band 1-2 (Nr. 1-54) | src Universitätsbibliothek Heidelberg
Karl Hahn :: Die rote Maske. Jugend Magazin, 1927, Band 1-2 (Nr. 1-54) | src Universitätsbibliothek Heidelberg
Karl Hahn :: Die rote Maske. Jugend Magazin, 1927, Band 1-2 (Nr. 1-54) | src Universitätsbibliothek Heidelberg

Terpsichore, 1920

Hixon-Connelly Studio :: The Marmein sisters.
Caption reads: Vaudeville has offered a great deal to Terpsichore but nothing more colorful than the offering of the Marmein sisters
Published in Shadowland, January 1920 issue. | src Internet Archive (LofC)

Ruth Landshoff von Umbo

Umbo (Otto Umbehr) ~ Ruth Landshoff / Ruth Landshoff-Yorck (b. Ruth Levy), 1927 | src Galerie Kicken Berlin
Umbo (Otto Umbehr) ~ Untitled (Ruth. Sonne / Ruth. Sun), 1927 | src Galerie Rudolf Kicken Berlin
Umbo (Otto Umbehr) ~ Ruth mit Maske / Ruth with Mask, aus dem Portfolio / from the portfolio ‘UMBO’, 1927 | src l’œil de la photographie ODLP & Galerie Kicken Berlin
Umbo (Otto Umbehr) ~ Untitled (Ruth. Der Hut / Ruth. The Hat), 1927 | src Galerie Rudolf Kicken Berlin

Mura Ziperowitsch, 1920s

Mura Ziperowitsch, Wien, 1920er Jahre, Foto Anonym, O. J. (Anonymous photographer) | src Alles tanzt Ausstellung @ Theatermuseum © KHM-Museumsverband

Role models. Many female dancers dealt with given role structures and criticized gender specific role attributions. The nun is seen as embodiment of a nonsexual woman who dedicates her life to God. Hence the play with the nun’s costume is a game with female physicality and sexuality. Here we meet Mura Ziperowitsch, who by wearing a nun similar costume refers to the female corporality.

source Vienna Pride at Kunsthistorisches Museum Wien

Leonor Fini in owl mask, ca. 1949

André Ostier :: Leonor Fini wearing a ball costume and the famous mask of a Snowy Owl, ca. 1949. | src stephen ellcock
André Ostier :: Leonor Fini wearing a ball costume and the famous mask of a Snowy Owl, ca. 1949. | src stephen ellcock
André Ostier :: Leonor Fini wearing a ball costume and the famous mask of a Snowy Owl, ca. 1949. | src stephen ellcock
André Ostier :: Leonor Fini wearing a ball costume and the famous mask of a Snowy Owl, ca. 1949. | src stephen ellcock

Fini’s owl mask originates with the New Year’s Eve party called the Bal des Oiseaux given at the Palais Rose on the avenue Foch, Paris, by Vicomte Charles Benoist d’Azy at the end of 1948. Webb writes, “she wore an owl mask of white feathers with headdress and gown of black-and-green-striped feathers. A series of dramatic photographs of her in this costume, as well as in the costumes for other balls of 1947 and 1948, were taken by Andre Ostier and widely published in newspapers and magazines, and Pauline Reage used the same mask in the final scene of her erotic novel Histoire d’O (Story of O), which was later illustrated by Leonor.”

Quotation from Peter Webb’s biography: Sphinx – The Life and Art of Leonor Fini

Retrieved from Story of O

‘Caprice Vanois’, ca. 1924-1926

William H. Mortensen (1897 – 1965) :: ‘Caprice Vanois’, ca. 1924-1926. Manipulated photograph. Unique Print. | src whmortensen.com 
more [+] by this photographer

Dance study by de Meyer

Adolf de Meyer :: [Dance study], ca. 1912. Platinum print | source The Metropolitan Museum of Art via wikimedia commons

It has been suggested that this photograph, the only [known] nude by de Meyer, has some connection to the Ballets Russes, but the nature of that link remains mysterious. The image vibrates with an uneasy erotic tension, a product of the figure’s exposed torso, startled body language, and disguised identity. (quoted from The Met)

image in higher resolution thanks to wikimedia commons

The duplication of images is due to errors in the process of importing files from tumblr (the images were not loaded in hi-res): tumblr post, here

Remedios Varo and the mask

Kati Horna (1912-2000) ~ Remedios Varo with a mask by Leonora Carrington, Mexico, 1957 | src NYBooks
Kati Horna ~ Portrait of Remedios Varo [wearing a mask by Leonora Carrington], 1957 | src Princeton University Art Museum
Kati Horna ~ Remedios Varo y la máscara, 1956. Varo, posing with a mask made by Leonora Carrington | src Morton Subastas
Kati Horna ~ Surreal portrait of Remedios Varo [wearing a mask by Leonora Carrington], 1957 | src Princeton University Art Museum