A No-dancer by von Bucovich

Studie einer japanischen No-Tänzerin | Aufnahme v. Bucovich, Atelier Karl schenker. Zeitschrift Die Dame, um 1926 | Museum für angewandte Kunst Wien (MAK)
Mario von Bucovich :: Studie einer japanischen No-Tänzerin, ca. 1926. | Museum für angewandte Kunst Wien
Studie einer japanischen No-Tänzerin | Aufnahme v. Bucovich, Atelier Karl schenker. Zeitschrift Die Dame, um 1926 | Museum für angewandte Kunst Wien (MAK)
Mario Von Bucovich :: Berlin, 1927. Tirage argentique 21,5x16cm. Courtesy Galerie Lumière des Roses | l’oeil de la photographie

The Silver Mask, 1929

Gordon Coster :: The Silver Mask, 1929 src liveauctioneers
Gordon Coster :: The Silver Mask, 1929. Bromide print. | src liveauctioneers

Bromide print mounted on artist’s paper. Signed and titled in pencil on mount recto. Nine exhibition labels and two exhibition stamps on verso. The subject is wearing a half mask, a headdress (probably made of velvet) adorned in the middle with a flower-shaped ornament and a huge fluffy collar. He/she wears heavy lipstick and a drawn mole. This is a striking enigmatic picture. It is not clear whether this is a man or a woman.

Microbe Monster, 1932

Sasha (Alexander Stewart) :: English actor Ernest Thesiger (1879 – 1961) in his role as the microbe monster in the play ‘Too True to Be Good’ by George Bernard Shaw, 18th July 1932. | src Hulton Archive – Getty Images

Woman wearing a Benda mask

Arnold Genthe :: Person wearing a mask made by W.T. Benda, 20th September 1925. Nitrate negative. Library of Congress | src Flickr