Tag: madame d’ora

Zauberhafter Verschränkung, 1925

Atelier d’Ora ~ Benda :: Die Tanzgruppe Gertrud Bodenwieser in zauberhafter Verschränkung ins Bild gesetzt, 11.06.1925. | Gertrud Bodenwieser dance group pictured in a magical entanglement, 11.06.1925. | src ÖNB and Bildergipfel

The Beautiful Line, 1929

Atelier d’Ora Benda :: Die schöne Linie. | The Beautiful Line. Published in Revue des Monats, June 1929. | src Deutsche Nationalbibliothek Leipzig

Andrée Spinelly, 1924-1927

Andrée Spinelly, Paris, 1927 | src The Guardian: Fops and flappers: wild fashions of the 1920s
Madame d'Ora :: Andrée Spinelly, published in ‘Revue des Monats’, March 1927
Madame d’Ora :: Andrée Spinelly, published in ‘Revue des Monats’, March 1927
Andrée Spinelly, Paris, 1927. These bejewelled creations hit new heights of eroticism and sophistication in the outfits worn by dancers at Parisian nightclubs like the Moulin Rouge. src The Guardian: Fops and flappers: wild fashions of the 1920s
Andrée Spinelly, Paris, 1927. These bejewelled creations hit new heights of eroticism and sophistication in the outfits worn by dancers at Parisian nightclubs like the Moulin Rouge | src The Guardian: Fops and flappers: wild fashions of the 1920s
Photo G. L. Manuel frères. Mlle. Spinelly. The beautiful fantaisiste, who is also a high-class actress, has just successfully taken over L’Ecole des Cocottes at the Paris theater. Original: La belle fantaisiste, qui est aussi une comédienne de grande classe, vient de reprendre avec succès L’Ecole des Cocottes au théâtre de Paris. Le Théâtre et Comœdia illustré, Octobre 1924. | src BnF ~ Gallica
Photo G. L. Manuel frères. Mlle. Spinelly. The beautiful fantaisiste, who is also a high-class actress, has just successfully taken over L’Ecole des Cocottes at the Paris theater. Original: La belle fantaisiste, qui est aussi une comédienne de grande classe, vient de reprendre avec succès L’Ecole des Cocottes au théâtre de Paris. Le Théâtre et Comœdia illustré, Octobre 1924 | src BnF ~ Gallica
French actress Andrée Spinelly (1887-1966) known as Spinelly. Vintage French postcard. A.N. [Alfred Noyer], Paris, nº 49, 1920s. Photo by Studio G.L. Manuel Frères | src Flickr

Berber and Droste, 1922

Atelier d’Ora ~ Benda :: Die Tänzer Anita Berber und Sebastian Droste, aus “Die Tänze des Lasters, des Grauens und der Ekstase”, 1922 | Dancers Anita Berber and Sebastian Droste in ‘Dances of Vice, Horror and Ecstasy’, 1922 | src Museum fur Kunst und Gewerbe, Hamburg

Berber and Droste, 1922

Atelier d’Ora ~ Benda :: Die Tänzer Anita Berber und Sebastian Droste, aus “Die Tänze des Lasters, des Grauens und der Ekstase”, 1922 | Dancers Anita Berber and Sebastian Droste in ‘Dances of Vice, Horror and Ecstasy’, 1922 | src Museum fur Kunst und Gewerbe, Hamburg

“Dämon Maschine”, 1936

Atelier dʼOra-Benda :: Tänzerinnen des Ensembles Gertrud Bodenwieser in "Dämon Maschine", 1936. | Dancers of Gertrud Bodenwieser's ensemble in "Demon Machine", 1936. | src Theatermuseum © KHM-Museumsverband
Atelier dʼOra-Benda :: Tänzerinnen des Ensembles Gertrud Bodenwieser in “Dämon Maschine”, 1936. | Dancers of Gertrud Bodenwieser’s ensemble in “Demon Machine”, 1936. | src Theatermuseum Wien © KHM-Museumsverband
Atelier dʼOra-Benda :: Poses from The Demon Machine, 1936 | src National Library of Australia
Atelier d’Ora – Benda :: Gertrud Bodenwieser. Dance scene: “Demon Machine”, 11.05.1936. | src and © Theatermuseum, Wien

Dancer Kaja Marquita, 1920s

Atelier d’Ora :: Dancer Kaja Marquita, 1920s. Originally posted on and censored by tumblr.