S. Rybin :: A young woman jumps, leaps, takes to the air (She indeed flies free). We do not know her name, only that she flies in the free dance studio of Vera Maya in Moscow, perhaps in 1927. Courtesy A.A. Bakhrushin State Central Theatre Museum, Moscow. | src Space Embodied – Het Nieuwe Instituut (the Russian Art of Movement 1920-1930)
Herbert List :: An der Elbmündung vor Cuxhaven. Zeichen für Ebbe und Flut, Cuxhaven, 1931. | At the mouth of the Elbe in front of Cuxhaven. Signs for ebb and flow, Cuxhaven, 1931. | src MK&G ~ Museum für Kunst und Gewerbe (Hamburg)
Nicoletta Misler: The Russian Art of Movement 1920-1930 Umberto Allemandi & Co. (January 2018) One of the many mages from the book that represent the role of movement in dance, in gymnastics, in Russian Avant-garde. The book is the result of research that began in the late 1970s and culminated in the 2011 publication in Moscow of V Natsjale Bilo Telo (In the Beginning was the Body), on the 1920s experiments in movement in the Soviet Union. | src Allemandi
Schwalben. Aufnahme von Adalbert Defner, veröffentlicht als postkarte im eigenverlag. | Swallows. Photo by Adalbert Defner, self-published as a postcard. | src apfelauge on flickr
Schwalben. Aufnahme von Adalbert Defner, veröffentlicht als postkarte im eigenverlag. | Swallows. Photo by Adalbert Defner, self-published as a postcard. | src apfelauge on flickr
Dora Maar :: Meret Oppenheim, 1936. Courtesy Levy Galerie, Hamburg. | src Le seduzioni della fotografia (The seduction of photography) at l’œil de la photographie