
Richard Avedon :: Sophia Loren / more [+] by this photographer
images that haunt us

Tina Modotti :: Hilos telefónicos / Telephone wires, Mexico, 1925 / source: foto espacio
more [+] telephone wires posts

Ralph Eugene Meatyard :: Untitled, ca. 1965. Gelatin silver print.
In his figurative scene, Meatyard applied the same techniques he used
in his abstract work. Formal means – reflected and indirect as well as
direct light, blurring, composition, texture, shift of focal plane and
multiple exposure – joins figures and props to become carriers of
narrative and symbolic content. Ambiguity and paradox, which are Zen
teaching tools used to free the mind from logic on the path to
enlightenment, were among Meatyard’s favorite devices.
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Inge Morath
:: Audrey Hepburn
during a break in the filming of
“The Unforgiven” in Durango, Mexico, 1959 / src: jeananyways
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/
more [+] Audrey Hepburn posts

Shōji Ueda :: Four Girls, 1939 / more [+] by this photographer

Kati Horna :: Calle Moneda en el Patio, Mexico, no date / source: michael hoppen gallery
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Elliott Erwitt :: Boundary Street, Pittsburgh, Pennsylvania, 1950 / via
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